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The writers loved it, the producers were impressed. So we're doing it again!
Here's a chance to pitch your work to a roomful of serious producers ...
TRU Writer-Producer Speed Date
(The Art of the Pitch)

No, it's not really a "date." It's a quick way to meet over a dozen producers -
from beginner to Broadway level - and practice your pitching skills.
(No, we're not talkin' baseball.)

Sunday September 13th, 5:30pm to 8:30pm
Th
e Players Theatre, 115 MacDougal Street, 3rd floor


APPLICATIONS ARE BEING ACCEPTED FOR FEBRUARY 21, 2010 - DEADLINE 2/1.
Click here for the application in Word format.
Click here for application as a PDF.
Email application to TRUnltd@aol.com
Evening limited to 22 writers.

"Thank you so much for the great Speed Date evening. It was a blast and such a great opportunity to meet with the producers. They were incredibly open and gracious and it meant a lot to all of us nervous first-time "daters." The experience of pitching in that format was really helpful in getting across what our story was in a short, concise manner, finding a way to convey it passionately, and making sure our intentions were clear. Thanks, also, to our coach Karen. She was amazing and cut and slashed away at our long, drawn out speeches.... Your efforts on behalf of writers and producers are greatly appreciated." ~Marylee Martin, writer

"Speaking as an out-of-town playwright I have to tell you that TRU’s writer/producer speed date program accomplished as much for me in one evening as I accomplish in a year of blind script submissions. The quality of the people participating – playwrights and producers -- was impressive and the program’s format of structured four-minute sessions with each producer was a godsend for me. Frankly, I’m a hopeless klutz at parties and other social situations where meetings with producers might happen casually or spontaneously, so when you created this concept of a concentrated four minutes devoted exclusively to the play and the producer, you liberated me from all those social bonding rituals at which I’m so awful. And I came away with the sense that, however brief it was, my plays finally got the stage I’ve hoped they would receive. I hope that, if you have more writer/producer speed dates, I can participate again." ~Sean O’Leary, writer

"Thank you so much for this experience. As you well know we writers spend so much in our own little think tanks and the opportunity to meet so many interesting people - not even to mention the chance of having our work read, exposing ourselves to not just one but 22 producers is just invaluable! Everyone was kind, friendly and very positive - what a great energy in that building! On a personal note, I've always been intimidated by the verbal pitch (my brain freezes - now what was my play about?) so last night for me was a personal triumph. In short - what you've done is awesome." ~Michele Aldin-Kushner, writer

"Thank you for making tonight happen and giving me an opportunity to meet so many accomplished producers. A special tip of the hat to Jane whose coaching session was so helpful. I think my pitch was strong - so much stronger than it would have been - and that's the important thing." ~John Doble

"Thanks for a fabulous "Speed Dating" event. I think the most helpful part of it was to get my collaborator, Wayne Barker, and I on the same page about exactly how to pitch our show and what to highlight when we talk about it together. Jane, our coach, was amazingly helpful and calming. By the end of the pitching hour, I was exhausted but enthused by the response to our pitch. You organized a great event and both Wayne and I look forward to participating in more TRU events in the future." ~Donna Kaz and Wayne Barker

"The producers were all engaging and supportive, and asked very concrete questions about cast and orchestra size, marketing opportunities, who's the audience, what other shows are like our show. As we worked our away around the circle, the pitch got more and more clear and concrete. Great fun - do it if you can!" ~Mark Sutton-Smith

"It was quite an amazing experience and quite helpful to the playwright. It is wonderful that there is an organization like TRU seeking to forward the interests of creative artists and the producers who bring their work to the stage." ~Marshall Tarley

"Speed Dating was very powerful for me. My learning and the powerful engagement with the producers helped me a great deal. While I would have loved sending the full script off to one of the producers, their excellent questions (each producer different by the way!) were so helpful. And their 'getting it' right away was also encouraging. And when something catches someone, then I will be less an outsider for having met these amazing people. Thank you thank you!" ~Mickey Bolmer

"I thought the speed date was one of the best learning experiences I have ever had." ~ Toni Hart

Sunday evening September 13th at 5:30 and 6:30pm.
The Players Theatre, 115 Macdougal Street (below West 3rd)

Scheduled producers include:

Paul Adams - artistic director Emerging Artists Theatre
Maren Berthelsen - off-Broadway producer
Robert Blume - commercial producer
Sharon Carr - Broadway, off-Broadway producer
R.K. Greene - The Storyline Project LLC.
Stewart Lane
- 4-time Tony winning Broadway/off-Broadway producer
Michael Leland
- independent producer/director with Nuyorican Poets Cafe
Staci Levine - commercial producer
Stephan Morrow - indie producer/director
Cynthia Stillwell - new play development
Melanie Moyer Williams - executive artistic director Red Fern Theatre Company

Click here for producer bios.

Click here
for the application in Word format (preferred).
Click here for application as a PDF.
Submissions for 9/13 now closed, but you may apply early for the next Speed Date:
February 21st.

You meet a producer at a party, and have two minutes to interest him in your work. Do you have the skill to sell yourself?

Here's a chance to practice your pitching with real producers who are open to and looking for new work. Okay, they probably won't option you on the spot, but you'll meet them and have the opportunity to start developing a relationship. And that's what this business is all about. We'll have eleven producers lined up, from both the commercial and not-for-profit worlds, all with an interest in new projects; we also have eleven aspiring producers from our mentorship program. So you'll be pitching to 22 producers in total!

Come with a willingness to learn, because the real value is the chance to practice your pitching. And you'll be getting invaluable coaching from experts, as well. And did we mention the wine and cheese afterwards? Click here to meet the producers.

ABOUT SPEED DATING. How does it work? 11 writers will arrive at 5:30, and we have two coaches coming who will coach the writers on their presentations. Then at 6:30, they go into the Pitch Room to meet the producers - one at each of the stations. We ring a bell, writers have two minutes to pitch. We ring a second bell, producers have two minutes to respond and ask questions, or give feedback. Writers bring a packet with a synopsis, bio, cast breakdown and production requirements to leave with each of the producers. If the project interests the producer, he may request that you send a full script.

Meanwhile, group two is in the Coaching Room getting coached for an hour starting at 6:30. Second group goes into the Pitch Room at 7:30. We estimate that pitches and turnaround should take about 50 minutes total for all eleven. We will have wine and cheese afterwards, so although the pitch sessions will end at around 8:20, we hope writers and producers will stay and chat informally until 9pm or so.

Yikes! Eleven writers pitching to eleven producers at one time? Think of it as the "cocktail party" pitch where you have to hold someone's interest with dozens of conversations going on around you. A little chaotic perhaps, but true to life.

WHAT YOU SHOULD BRING: A one-page (maximum) synopsis, a one-page writer/theater resume or bio, production history (including reviews), set and cast breakdown. You will need 22 sets, one for each of the producers. Make them nice - it's part of that all-important first impression.

ABOUT THE COACHES: we are bringing in two professional coaches to work with each writer on vocal technique, presentation skills and content. Click here to read about Grace Kiley and Roy Havrilack of Skytown Entertainment.

NOT EVERYONE WILL BE ACCEPTED. We will judge your application based on the viability of the project, your experience as a writer and the specific interests of the participating producers. If accepted into the program, the cost is $50 for TRU members and $75 for non-members (and yes, you can always join as a member to qualify for the discount).

Click here for the application in Word format.
Click here for application as a PDF.
Email application to TRUnltd@aol.com
Evening limited to 22 writers.

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THE PRODUCERS - final lineup
   
PAUL ADAMS Artistic Director and Founder of Emerging Artists Theatre Company for 17 years. Directing credits for EAT are Real Danger, Layout, My Sister the Cow, Hard Hearted Hannah, and Counter Girls. Playwright credits - Two Minutes, Sleeping Beauty. Acting on and off for the past 15 years at numerous Theatre Row theatres. Serves as Founding board member for the New York Innovative Theatre Awards celebrating Off Off Broadway work and the Steering Committee for the newly founded
League of Independent Theatre. He is currently working towards a permanent home for Emerging Artists who received its first Drama Desk nomination and was voted Best Off Off Broadway Theatre Company in NY by Backstage Magazine.
MAREN BERTHELSEN is one of the Producers of Yank!: A WWII Love Story, premiering at the York Theatre Company in February, 2010. She produced and co-created Wall to Wall Stephen Sondheim, a 12-hour free music marathon, during her tenure as Producer of Performing Arts at Symphony Space. Over eight years at Symphony Space, she programmed and produced more than 200 other events, including Wall to Wall marathons for Richard Rodgers, Frank Loesser and Joni Mitchell.

Most recently, Maren served as the Executive Director of the League of Composers-ISCM, the oldest American organization devoted to contemporary classical music. She recently founded 6 Pound Productions, a theatrical production company.

ROBERT BLUME, President/CEO Blume Media Group Ltd. (Entertainment Production & Consultation). An entertainment Producer for over 25 years, Robert R. Blume is in his 11th year as Presenter/Executive Producer of the annual DRAMA DESK AWARDS. He is also a Managing Partner of a new talent representation/education organization, Step Forward Entertainment Group Ltd. /Beautifit Talent division representing over 35 active clients. 

He recently associate produced the off-Broadway thriller at the Soho Playhouse, MINDGAME by Anthony Horowitz, starring Keith Carradine and directed by Ken Russell and produced SUE MATHYS SINGS BROADWAY & PIAF at Weill/Carnegie Hall, as well as producing the development production of Let My People Come…..Again! A Sexual Musical Comedy by Earl Wilson Jr. directed by Tom Flagg at The Space, NYC.

Mr. Blume, under the auspices of his production/consulting firm, Blume Media Group Ltd, is currently a producer on the following current projects: BUSKER ALLEY the new musical; book by AJ Carothers; music and lyrics by Richard M. Sherman and Robert B. Sherman, starring Jim Dale and directed and designed by Tony Walton; and the forthcoming revival of the hit off-Broadway musical from the 1970’s, LET MY PEOPLE COME ….AGAIN by Earl Wilson, Jr.  He is an Associate Producer on the current off-Broadway show, KING DAVID at The Promise Theater, NYC and a Consulting Producer on two large-scale musicals slated for Broadway, ANGELS and JUDAH BEN-HUR.

SHARON CARR - After a 29-year stint in a Wall Street related business, Sharon began her producing career in January 2006. Off-Broadway credits include I Love You Because (February 2006) and Masked (July 2007). She joined GFour Productions as an independent Associate Producer on Respect: A Musical Journey of Women in Cleveland (September 2006), Boston (October 2006) and Atlanta (March 2007); as well as the Minneapolis production of Menopause The Musical (May 2007+). She's also earned credits as a Producing Associate on Broadway with How the Grinch Stole Christmas (Holiday 2006, 2007 & 2008) and Legally Blonde (April 2007). She participated in both the Toronto & US productions of Dirty Dancing and the recent revival of American Buffalo on Broadway. She was the lead producer of the hit comedy Glimpses of the Moon in the Oak Room of the Algonquin Hotel and is currently an Associate Producer on Burn the Floor (Broadway) and the National Tour of Little House On the Prairie. Future projects include Idaho! The Comedy Musical Love Story, Deep Throat: The Sex Scandal opening Winter 2010; Inventing Avi Aviv at the Abingdown Theatre in October and the Broadway production of Stormy Weather (Winter 2010).
R.K. GREENE a theatre professional since 1978, he was a founding member of the Seattle Group Theatre, a multi-cultural ensemble that produced its own work. As an actor, he appeared in numerous productions Off-off Broadway, on tour and in regional theater producing several projects including a multi-state tour of Mass Appeal. In 2000, he founded The StoryLine Project LLC, a commercial theater production company, to develop new plays and musicals. The StoryLine Project made its debut as an above line producer for the Off-Broadway hit, Room Service. Current projects include Love Child (opening on Halloween at New World Stages), The Other Side of Newark and Cougar! In the non-profit world, R.K. is the Business/Marketing Director at The Directors Company, and assisted in the transfer of "Irena’s Vow" to Broadway. In parallel to his theatre career, R.K. is a management consultant for companies on business strategy and with government agencies on economic development. He is a graduate of the School of Drama at the University of Washington in Seattle and the Commercial Theatre Institute in New York. He is an Adjunct Member of The Broadway League and a member of The Off Broadway League. The StoryLine Project is a member of Theater Resources Unlimited.
STEWART LANE - As a producer, director, and writer, Mr. Lane’s career has flourished with a plethora of awards including four Tony Awards, three Drama Desk Awards, an Outer Circle Critics Award, a Drama Critics Circle Award. He most recently produced American Buffalo, Sunday in the Park with George, (nominated for 9 Tony awards including Best Revival of a Musical) and Hitchcock’s The 39 Steps, (2 Tony awards and nominated for 4 more including Best Play), the longest running comedy on Broadway, currently at the Helen Hayes Theatre.  Other producing credits include Cyrano De Bergerac starring Kevin Kline, Jennifer Garner and Daniel Sunjata, Legally Blonde the musical, La Cage Aux Folles, F iddler on the Roof(revival) starring Alfred Molina, Gypsy (revival) starring Bernadette Peters, Minnelli on Minnelli starring Liza Minnelli, Frankenstein starring Dianne Wiest, West Side Story starring Debbie Allen, The Grand Tour starring Joel Grey and many more. 

London producing credits include Olivier nominated Thoroughly Modern Millie and Ragtime. In Dublin, he produced the world premier of JFK-A Musical Drama. Film credits include the documentary “Show Business: The Road to Broadway” and “Brooklyn Rules,” starring Alec Baldwin and Freddy Prinze Jr.   Mr. Lane also produced for Great Performances on PBS the Broadway Production of Company starring Raul Esperaza, and Cyrano de Bergerac starring Kevin Kline.

A member of the Broadway League, Mr. Lane is the co-owner and operator of the Palace Theatre in NYC where West Side Story is currently running, and he sits on multiple boards for such organizations as The Actor’s Fund of America, The American Theater Wing and The Theatre Museum.  He also created scholarship funds at Columbia University Business Graduate School and Boston University College of Fine Arts Undergraduate School. He is currently in development to produce Stormy Weather on Broadway, which debuted at the Pasadena Playhouse in California in January of this year. Mr. Lane resides with his wife Bonnie Comley in New York City with his 5 beautiful children. 

MICHAEL LELAND Michael LeLand has worked as an actor, singer, writer, theater educator, producer, choreographer and director in New York City and in his hometown of Philadelphia for over fifteen years. Mr. LeLand has produced over forty theatrical productions and ran Theatre Double’s two-theatre complex on Walnut Street in Philadelphia for four years Mr. LeLand has helped developed a dozen new plays that have received professional productions, including Langston Hughes: An American Celebration, Theatre Double’s Just The Boys, Theatre Double’s Jason and Medea, Theatre Double's . . .And The Sky Can Still Fall on Our Heads, Slipping by Yvonne Delet, Gypsy Wagon by Ed Shockley. He also developed and wrote lyrics for the full length children’s musicals The Witch and the Magic Mountain, Nsume Namlou: The Stories of My People, Magic Bookshop: The Snow Queen and The Magic Bookshop Inside the World of Jack and the Beanstalk. Mr. LeLand helped create Just the Boys, a Theatre Double collaboration published by Simon and Schuster in Action: the Nuyorican Poet’s Café Theatre Festival. Portions of his production, The Witch and the Magic Mountain, produced by Freedom Theatre, were performed at the Barrymore Awards and for former Mayor of Philadelphia, Edward Rendell.

In April 1998, Lincoln Center Theatre named Mr. LeLand to the Directors Lab. He was also one of only twelve directors selected by the Lincoln Center Directors’ Lab to be showcased at Here Center for Contemporary Arts in the American Living Room Series. Mr. LeLand had the honor of directed Pulitzer Prize, Tony Award Winner, and Academy Award nominee Jason Miller in his one man play Barrymore’s Ghost.

"Small cast quirky plays. Similar to work on Showtime and HBO."

STACI LEVINE is a producer/general manager working in theater, concerts and film. She is the producer for the critically acclaimed production of An Evening with Patti LuPone and Mandy Patinkin, which recently played 18 cities in 3 countries, including the US, Australia and New Zealand.  Staci also produces the upcoming tour of John Lithgow’s one-man show Stories by Heart and Mandy Patinkin’s solo stage concerts, Mandy Patinkin in Concert: Dress Casual, Mamaloshen and Celebrating Sondheim.  Mandy’s concerts have played on Broadway, Off-Broadway and continue to tour the US, London and Australia. She has produced works by the playwright David Simpatico including the play Mary, the musical drama The Screams of Kitty Genovese (with music by Will Todd), and the short film Wish Fulfillment. Staci continues to produce independently and recent projects include the documentary film Two Worlds-One Planet (Associate Producer) produced by Ann Reinking, The Drama Desk Awards (Coordinating Producer), events for Just Food, The University of Texas, BBC Radio, Class Productions and has a handful of projects in development. She general managed the 2000 Off-Broadway play The Bitter Tears of Petra von Kant by Fassbinder and from 2005-2007 was the General Manager for dre.dance, a contemporary dance company created by Taye Diggs and Andrew Palermo. Staci was associated with Dodger Theatricals, working on numerous Broadway, Off-Broadway and touring productions including Titanic, Footloose, High Society, Blast!, The Music Man, 42nd Street, 1776, Wrong Mountain, Into the Woods, Barbra’s Wedding, Bare, Urinetown, Dracula and Good Vibrations, as a member of Dodger Management Group. Staci sits on the board of directors for chashama and dre.dance.

Originally from Texas, Staci moved to NYC in 1996.  In Austin, she was the Program Director for the Texas branch of Jacques d’Amboise’s National Dance Institute, Managing Director for Third Coast Jazz Dance Company and an Associate at Dance Umbrella, which presents/produces modern and contemporary dance companies and solo artists.

MELANIE MOYER WILLIAMS, Executive Artistic Director, The Red Fern Theatre Company. Melanie, a cum laude graduate of Duke University, is also Co-founder and Executive Artistic Director of the Red Fern Theatre Company. Her credits for the company include MISS EVERS BOYS, AN IDEAL HUSBAND, A PIECE OF MY HEART, WHO WILL CARRY THE WORD?, THE EXONERATED, THE LONG CHRISTMAS RIDE HOME, FOUND A PEANUT, TWO ROOMS, AND PATIENT A. This past summer, Melanie worked with Shirley Lauro on a reading of her new play, THE RADIANT at the Actors’ Studio and Ensemble Studio Theatre. For Woodframe Productions, Melanie directed a reading of MEMORIAL DAYS by John Attanas and the World Premiere of HENRY KISSINGER in FringeNYC where they received rave reviews. She has also directed A TRIBUTE TO ANDREW LLOYD WEBBER with the Youth Symphony Orchestra of El Salvador in El Salvador with Wanderlust Theatre Company. She directed THAT IS THE QUESTION in the Philadelphia Fringe Festival which was named one of the Best in the Festival. Other New York credits include MEDEA excerpts for CYPRECO and the New York Public Library; FIVE WOMEN WEARING THE SAME DRESS, WHEN THE WORLD WAS GREEN and ICARUS’S MOTHER for the Michael Chekhov Theatre Company. Prior to moving to New York, Melanie was also a founder and Managing Director of the Camden Shakespeare Company in Camden, Maine.

"We are looking for plays that are production-ready (or very minimal work-shopping necessary). We produce issue based plays so playwrights interested in pitching a play to Red Fern should know that we are a non-profit company whose mission is to produce socially conscious plays. We only consider plays that have a clearly defined social issue at the heart of the play; the issue cannot be ancillary to the plot."

STEPHAN MORROW is an actor/director and producer who has been laboring in the trenches of non-commercial theater in New York and Los Angeles for over twenty years. A staunch proponent of the Off Off Bway arena, it is in that cauldron of creativity that he finds the work to be most compelling and interesting. He came to this calling after surviving a two year global pilgrimage that took him overland from Istanbul to India and then on through Asia.

He has worked closely with playwrights Mario Fratti, Leonard Melfi, John Ford Noonan, Arthur Miller and Norman Mailer among others.  As the founder of The Great American Play Series, which features powerful performances by seasoned professionals in ‘performances on book’ of American classics he has directed : ‘The Crucible’ ( Set in the White House during President Clinton’s impeachment trial), ‘After the Fall’ ( with Rebecca De Mornay, Sally Kirkland, Mark Rydell et al.), ‘The Price’ ( Barry Primus, Lyle Kessler, Judith Light and Paul Mazursky.) ‘Incident at Vichy’ ( four presentations with casts that included F. Murray Abraham, Richard Dreyfuss, Fritz Weaver, Austin Pendleton, et al.), ‘Camino Real’ by Tenn. Williams (with Betsy Von Furstenberg and set in Afghanistan), ‘A Bright Room Called Day’ by Tony Kushner with Judith Malina and Angelica Torn).

In addition to working with Norman Mailer on two plays ( ‘Strawhead - Marilyn, a memory play’ at The Actor’s Studio in N.Y., and The Deer Park at the Makor/Steinhardt Center of the 92nd St. Y.) he also acted in his feature film ( ‘Tough Guys Don’t Dance’ -  played Stoodie, the tattoo artist.). His most notable efforts have also included working with Arthur Miller who gave him his personal blessing over a three year period to bring his play ‘Incident at Vichy’ to a major venue after attending the first ‘performance on book’  of the play.

"I guess you could describe my sensibility as one that is drawn to poetic dramas laced with some humor and that have a political or philosophical bent."

CYNTHIA FRITTS STILLWELL, CF Stillwell Productions, a full-service intellectual properties development company, specializing in the page-to-screen process of bringing the written word to life in film and television. Cynthia Fritts Stillwell brings years of experience to the company, with a firm belief in the power of the story. A good story sticks. It has the potential to open new windows, stimulate constructive thought, give hope, revolutionize, transform, inspire and provide a view into ever-widening horizons. A good story is all.

Our mission and philosophy is to take our clients and their stories to the outer limits of possibility with no limitations. Stillwell Productions also provides consultation and a wide range of value-added services in other areas of intellectual property, including
theatrical properties and production, as well as presentation, business planning, branding, and marketing/public relations. We work with writers, editors, producers, creative artists, performing artists, directors, and others in the broad range of the arts and media.

We serve our clients based on the variety of services they are seeking. We are able to manage, direct, mentor, advise and guide in all
aspects of the creative process, based on the core question: “What do you need?” We believe in creating a supportive environment of trust. We work to ensure that our collaborations are partnerships which lead to the achievement of mutual goals and desires. Ultimately, Stillwell-Lester is about finding the promise, building confidence and conviction, nurturing talent, stimulating self-valuation and belief, exploring all options, and motivating our clients to always reach their next level of success

"Interested in commercial shows, musical or not, but am also intrigued by unconventional works."

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THE COACHES

GRACE KILEY, M.A. in Counseling Psychology, professional actress (SAG, AEA) has coached for over 25 years. She specializes coaching professionals in film, writers, performance artists in her Art of Pitching Workshops independently and for organizations. She also coaches business executives, investment advisors, managers, entrepreneurs, and freelance artists, guiding individuals and groups toward their highest level of potential and achievement. Ms. Kiley founded Vermont Actors Workshop, has directed, produced and developed original scripts. Currently on the faculty for NYU Tisch School of the Arts, Kanbar Institute of Film and Television and Trinity La Mama Urban Arts Program where she teaches acting and directing. As Chair of Psychology at Burlington College in Vermont, Ms. Kiley developed curriculum and taught courses in clinical psychology. Over a period of 10 years she was active in The Assisi Conferences in Assisi, Italy. Ms. Kiley is a member of the HB Ensemble at HB Studio in NYC and member of the board for The New York Coalition of Professional Women in the Arts & Media. www.gracekileyperformancecoach.com

ROY HAVRILACK has been training attorneys and executives in presentation, marketing and management skills for several years.  He has taught and coached attorneys and partners at top law firms including Sullivan & Cromwell, Milbank Tweed, Gibson Dunn & Crutcher, Brown Rudnick, Allen & Overy, Shearman & Sterling, and White & Case.  He has also worked extensively with senior executives at leading financial institutions such as Merrill Lynch and Deutsche Bank.  Other clients include Avon Products, Inc. and Gemini Systems. 

Roy has worked as a Client Services Manager for BusinessTalk, Inc., a training consultancy whose clients include Microsoft Corporation and leading accounting firms.  Roy is co-president of SkyTown Entertainment, LLC, a video and film production company that produces corporate sales and industrial videos, as well as short and feature-length films.   In addition to his experience as a trainer, Roy is also an actor in NYC. He starred in the award-winning independent film, “Say That You Love Me”, and was a recurring character on “One Life To Live”.

Roy holds a BA in Theatre Arts from Oneonta State University.

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