has worked as a producer, a theater founder and operator, a college professor and occasionally as a performer. He built and operated Off-Broadway’s John Houseman Theater Center and Douglas Fairbanks Theater for over 20 years, more recently built and oeprated the Playroom Theater and The Physics Theater in New York City and current runs Theatre 555 on West 42nd Street. He produced on Broadway: Bill Maher: Victory Begins At Home (Tony nomination for Best Special Theatrical Event), Neil Simon’s The Dinner Party, It Ain’t Nothin’ But The Blues (nominated for 4 1999 Tony Awards including Best Musical) and Electra (nominated for 3 Tony Awards). Current and recent Off-Broadway productions include: That Physics Show (Drama Desk Award for Unique Theatrical Experience), Sing: A South African and American Celebration, A Class Act, Greed: A Musical for Our Times, Laughing Liberally, For Lovers Only, Will Durst: The All-American Sport of Bipartisan Bashing, Toxic Audio (2004 Drama Desk Award for Unique Theatrical Experience), Rounding Third, Langston Hughes’s Little Ham, Golf:The Musical, Tallulah Hallelujah starring Tovah Feldshuh, A Pure Gospel America, The Big Bang, the world premiere of Bash by Neil LaBute, Serenade The World: The Music and Words of Oscar Brown, Jr., and This Is Our Youth by Kenneth Lonergan. Other New York producing credits include: Capitol Steps, Fyvush Finkel From Second Avenue To Broadway, The Passion Of Dracula, Fool For Love, King Of Schnorrers, The Rise Of David Levinsky, By And For Havel and Paul Robeson (starring Avery Brooks). Mr. Krebs produced Geoffrey Ewing’s Ali, the biography of Muhammed Ali, a theatrical production featured at the Olympic Games in Atlanta in 1996, as well as at the Mermaid Theater in London.

In the not-for-profit theater, he founded and for fourteen years was the Producing Director of the George Street Playhouse, a professional (LORT) theater in New Brunswick, New Jersey. For 25 years, he was the chairman of Amas Musical Theatre, a not-for-profit theater founded by Rosetta LeNoire and dedicated to the training of “city kids” in the performing arts and the creation of new musicals for multi-ethnic casts. He was awarded the Robert Whitehead Award for excellence in producing in February, 1999.