Saturday, May 20th
10am to 6pm
John Desotelle Nu•Box Theatre
300 W. 43rd Street, 3rd floor, NYC
Taught by producer Ken Waissman (original Grease, Agnes of God, Torch Song Trilogy, Josephine); producer Margot Astrachan (The Realistic Joneses, A Gentleman's Guide..., Nice Work If You Can Get It); Ric Wanetik, senior advisor for America to the Royal Shakespeare Company (RSC), Tony nominated producer for Anna Deveare Smith’s Twilight Los Angeles: 1992, Broadway’s Marlene, Off-Broadway’s Jolson and Company; and TRU executive director Bob Ost.
Writers, use this form to submit: DIRECTOR-WRITERLabApp.2017 - deadline for submissions is Wednesday May 10th. Email to TRUnltd@aol.com with "Writer Lab Submission" in your subject line.
One of the most important - and most sensitive - relationships in theater is that between playwright and director. In some ways, the entire success of a show can hinge on the shared understanding, trust and mutual respect between these two artists. The director and the writer need to see the show with the same eyes, otherwise their collaboration won't work. This is important to establish in the initial meetings.
TRU has created a new, experimental program that will train theater artists in the crucial skills of communication. It is led by commercial producers, since the producer is generally the real-world mediator in writer-director disagreements, and has the better overview of a production.
In this Lab we will team up to ten directors with up to ten writers prior to the Lab itself. OBSERVERS ARE ALSO WELCOME TO COME WATCH AND LEARN, LIMITED SPACE AVAILABLE. Playwrights will email us a synopsis, pitch and production history, plus 5-10 sample pages of a script; directors will select a project that interests them from those submitted, request and read the script and prepare for a preliminary director-writer discussion about the play. We will watch and guide that discussion in the Lab. You will:
• Discover your personal communication style
• Learn to identify the style of the person you are with, and adjust to it for maximum mutual understanding
• Explore non-threatening ways of discussing text, communicating and listening
• Identify your domain of authority, and determine protocols
Confirmed directors (as of 5/8): Cate Cammarata, Dale Davidson, Jessica Jennings, Katherine Ray, Rick Roemer, Lester Thomas Shane, Alma Villegas, Jonathan Warman, Laurie Rae Waugh and Hamza Zaman.
I found it helpful and illuminating in a number of ways. Coming shortly after my first experience of selecting a director for the production of my BETWEEN MEN at the MITF summer festival, it made me aware of the necessity of a lengthy and focussed discussion before any commitments are made. It was useful both to talk through the issues raised by my own play with a Director like Cate [Cammarata] and to observe other couples going through the process of discovering whether they could work together or not. It was also moving to witness unexpected dramatic moments in the course of the day. And finally the presence of two such knowledgeable and successful Broadway producers as Ken [Waissman] and Margot [Astrachan] commenting freely on the proceedings was a huge bonus. ~ Dennis Porter, playwright
One of the things that I find invaluable about the TRU Director/Writer Communications Lab is the opportunity to see my fellow directors in action. We don't very often talk about "our method," so being able to observe another director meet a particular challenge or negotiate with a writer is special indeed. I walked away with many new ideas I'll use – and even a few things I plan to avoid. ~Brent Buell, director
Thanks again for the communication lab. I got a lot out of it and it was great to meet such wonderfully supportive people. I especially enjoyed meeting and talking to Claude [Brickell, my Lab director], and I thought he made a tremendous effort to come support me. ~ Damon Chua, writer
There really is no substitute for being "in the room" with collaborators and the fact that you are able to create this atmosphere with working professionals who are in the trenches and can speak to what's real says a lot about the good and relevant work you're doing with your organization. Kudos. ~ Ben Gonshor, writer
Damon [Chua, my Lab writer] and I have connected and will be getting together later. I thoroughly enjoyed meeting and benefiting from both Bob's and Pam's contribution. They were thoroughly terrific. ~ Claude Brickell, director
You created a wonderful space for us writers. And, personally, it could have not gone better for me and the relationship I hope to have started with [my Lab director]. He gets my words written on paper and that's fantastic. ~ Jonathan Citron, writer
What a fabulous Lab that was! No drama - everyone seemed to match up so perfectly! I know I did. I'm eager to continue my conversations with [my writer] - we really hit it off and she's fantastic. ~Cate Cammarata, director
Arlene Corsano and I have almost completed 3 days of auditions for her musical which was invited to be in the Strawberry Festival of Riant Theatre. ... Our TRU relationship, born in your excellent lab, continues with me acting as dramaturg. Thanks again for your lab, and for all that you do for all us migrant arts workers! ~Elizabeth Falk, director
This was a great experience and everyone I spoke to felt the same. The way you set it up and the manner in which the directors and producers gave their input created a positive learning atmosphere. It was a great lab. ~Arlene Corsano, writer
I would definitely join another workshop of this kind again. ... I have been in many playwriting groups and workshops, etc. I have never been in one like TRU. If there are others that provide a similar concept and the kind of support that TRU offers, I have not heard of them. It is quite possible that TRU is unique. That's pretty special. ~Mary Ryzuk, writer
Andrew Carter and I are moving forward with my play. ~Marina Barry, writer
Thank you for the incredible workshop this past Saturday. It really turned out well and I met some incredibly talented people. Laura Italiano and I have really hit it off and have decided to keep working together on her script. ~ Kevin Lambert, director
This was a tremendously helpful workshop! I was watching the conversations as a playwright, to learn about communication, but also as a teacher, to help my playwrights be better playwrights. This work that you are doing is invaluable! Your experience as a producer and a playwright and the fact that you brought other producers into the room really brought in a broader perspective that kept things very real and made the stakes feel enormously high. I loved meeting everyone, especially Paul who I really felt got the play -- thank you! You said there was someone else who wanted the play, and you had to make an executive decision, and, it seems to me, you made the right one. And that is one of the producers biggest tasks, right? To bring the right people into the room? So thank you for that, Bob! ~Emma Goldman Sherman, writer (Whorticulture)
A quick note of thanks for yesterday's lab. There really is no substitute for being "in the room" with collaborators and the fact that you are able to create this atmosphere with working professionals who are in the trenches and can speak to what's real says a lot about the good and relevant work you're doing with your organization. Kudos. ~Ben Gonshor, writer (When Blood Ran Red)
I came away with such valuable skills and it was definitely a wonderful learning experience. You always pick the most amazing people for these events! Looking forward to hearing what the next wonderful event you have going on is. By the way, I recommend TRU to anyone I can get my hands on because I've just learned so much since I started going. ~Amy Oestreicher, writer (Imprints)
The lab is fascinating, and I found not just my time, but watching the other teams very valuable. ~Richard Riskin, director