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Is the Development Path a Little Smoother in the UK?
Friday 11/17 at 5pm ET
In the room: Australian producer Neil Gooding (Back to the Future in London and New York, Holding The Man in London, UK productions of What's New Pussycat and Little Voice; Australian premieres of Gutenberg! The Musical!, Dogfight and 33 Variations and New York productions of Harmony, Islander, Church and State, Handle with Care, The 39 Steps); Patrick Gracey, London-based producer, on the Boards of the Society of London Theatre (SOLT) and League of Independent Producers in the UK; and Katy Lipson of Aria Entertainment, producer of over 100 shows in the West End, Off-West End and UK Touring scene (including Flowers for Mrs. Harris, Brokeback Mountain, Olivier Award Nominated Best New Play Cruise, The Last Five Years, The Toxic Avenger, The Addams Family, Little Voice). Is the road to production as laborious in the UK as it is here in New York? We hear it takes a lot less time and a lot less money to get a new show up on its feet. Neil, Patrick and Katy promise to give us the details!