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Event Details
  • Non-members, please pay at least $10 to help keep us running.
     June 20, 2025
     5:00 pm - 6:30 pm
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Pooling Resources: How Three Women-led Companies Joined Forces
Friday 6/20/25, doors open at 5:00pm ET, interview starts at 5:30
 
Community Gathering on Zoom - register with the bright red reservation box to receive the Zoom link. These gatherings are a service for the theater community and are offered free for TRU members; we ask that non-members help keep us running by buying a ticket, making a donation or joining as a member.
 
In the room, the three companies that combined to create The Femme Collective. Meet D-Davis of Eden Theatre Company, Kate Mueth of the Neo-Political Cowgirls and Lorca Peress of MultiStages. After the profound financial and cultural disruptions caused by COVID-19, these three companies made a comeback by rethinking the theater landscape. By sharing resources, space, and creative energy, Femme Collective not only confronted the economic challenges of a post-pandemic world, but also provided a platform to amplify diverse voices, foster community resilience, and redefine how theater can empower and sustain its artists and audiences. Although each company presented their own work, they shared the costs. What did that look like? How did they work out the schedule for their shared space? Did cross-promoting expand their individual audiences? What other shared costs made this more affordable for each company? And what were the bumps in the road?
 
 
Panelists
  • D-DAVIS

    is a playwright living in NYC and the Artistic Director at Eden Theater Company. Her most recent productions are Broken Thread (Femme Collective) and Complicity (New Ohio), and her one-act plays Night Becomes Morning (Chain Theatre), Memorial Tree, (Columbia University), and What’s What (Polaris Theater). She was a semifinalist for Premiere Stages Play Festival and Bronx Creative Vision Award (Broken Thread), and awarded a Working Theatre Residency (Broken Thread), American Woman Fellowship (Grrls Play Bass) and HB Studio Residency Fellowship (Complicity). Her work has been developed and/or produced at New Ohio, Primary Stages, New York Theatre Workshop, Howl Playwrights, AMIOS, Goddard College, and Columbia University.  She studied acting at the Neighborhood Playhouse and the Royal Academy of Dramatic Arts, and earned a BA in theater from Bennington College. She is a published academic with an MA in history from CUNY and MFA in playwriting from Columbia University, and granted two NEH research fellowships (Feminism and Philosophy). She is a member of the Dramatist Guild, the Actors Studio Playwright and Director’s Unit, HOWL Playwrights, Theatre East; and is the Literary Associate for The Tent Theater Company. www.edentheater.org and www.d-davis.com
  • KATE MUETH

    founded the award-winning The Neo-Political Cowgirls (NPC) 18 years ago to help fill the dearth of opportunities for and stories from the perspectives of women and the under-represented on our theater landscape. She conceives, writes, choreographs and directs new, site-specific theater and dance theater that is “Mind-bending, gorgeous, provocative and wild” in execution. Kate is an Equity actor, a proud Board Member and Officer Emeritus for The League of Professional Theatre Women, and co-founder of The East Hampton Arts Council. Kate has worked as actor/director/choreographer with such luminaries as Blythe Danner, Cathy Curtin, Aida Turturro, Tony Walton, Peter Boyle, Laura Gomez, Florencia Lozano and more. She has performed and/or directed at Lincoln Center, Bay Street Theater, Guild Hall, in Berlin, Helsinki and in regional venues. The She Wolves was built with funding support from Suffolk Country Department of Economic Development and Planning, and The National Endowment for the Arts’ and Arts Midwest’s grant Shakespeare in American Communities. The She-Wolves first look performance came in a summer 2024 run at LongHouse Reserve then visited local East End schools and now makes it’s NYC debut presented in it’s next exploratory iteration. NPC is the standing Performing Arts company in residence at LongHouse Reserve where in 2023 Kate created three performances to activate the gorgeous sculpture and garden grounds. NPC’s 2023 production, THE DREAMER (A Midsummer Night’s Dream Through The Eyes of a Young Girl,) was also awarded grant funding from The National Endowment for the Arts and Arts Midwest and enjoyed four lives, among them an Off-Broadway run at HERE Arts, LTV Studios on the East End, and at LongHouse Reserve. Favorite acting roles include Lady M, Varya, and Mrs. Wadhurst in Tonight at 8:30 with Blythe Danner. History of new, devised works for NPC includes BAUBO, Wody Girtch Mama, Trojan Women Redux, ZIMA!, VOYEUR, EVE, B(e)RD and countless one- offs. HYSTERIA, a “surround fear experience” played to East End audiences as well as attendees at The Old South Church in Boston fall of 2019. The summers of 2016/17 her production of ANDROMEDA, a “Myth for the masses,"Gave voice to the universal refugee," in its performance on the hills of Montauk under the stars. EVE, a 13-room, immersive experience, enjoyed two seasons in the Hamptons then an Off-Broadway run in the fall of 2015 at The Gym at Judson. VOYEUR, a branded NPC site-specific experiential performance made in various unusual spaces, made its European debut in Berlin in July of 2015. Kate has a lengthy biography in theater arts teaching and curriculum building over the past 30 years. Her work in conceiving, developing, directing and teaching theater arts programs continue to annually serve and empower our community’s youth, at-risk, marginalized populations, and through creative programs for women. She has furthered her passion for Arts Education by training with the prestigious Arts Leadership program at Lincoln Center and trained with Jacob’s Pillow in their celebrated Curriculum In Motion Institute, and now serves on their advisory board. She centers her work around shifting American culture to become more invested in the performing arts as ignition for human connection, problem solving, and thriving. She is mother to August Gladstone, a 2022 Emerson College graduate now residing in Los Angeles working for 3Arts Entertainment as he builds towards becoming a show runner writing for film and television. She is proud to share her life with the talented Josh Gladstone, her favorite collaborator. Kate splits her time with work between East Hampton, NYC, nationally and internationally and loves working in college and university settings. www.npcowgirls.org *The Arts hold a profoundly important responsibility to hold the pen for our times, to contradict inhumane proclivities by those in power, and to put forward a bold vision of a better world.

  • LORCA PERESS

    is a freelance theatre, opera and musical theatre director, and the Founder and Artistic Director of MultiStages in NYC. She is an advocate for women in theatre and an equity diversity activist. Peress is a Union member of SAG-AFTRA, AEA, and SDC; a member of the National Theatre Conference, Women in Arts and Media Coalition, NYWA (New York Women Agenda), and the League of Professional Theatre Women (past co-president 2011-14). She identifies as a multicultural woman with a Puerto Rican, Sephardic Iraqi and Polish background. Peress has directed new works at Joe's Pub at the Public Theatre, The Acorn at Theatre Row, HERE, International NY Fringe Festival at the Soho Playhouse, Hudson Guild Theatre, Theatre for the New City, NJ Repertory, La MaMa, Repertorio Español, Urban Stages, and others. She directed a special music event for the Lincoln Bicentennial at Riverside Church with Ruby Dee and Sam Waterston, and a concert of the Aids Quilt Song Book at Cooper Union. She has directed university theatre for NYU Tisch, Lee Strasberg Theatre and Film Institute, and operas at Queens College for the Aaron Copland School of Music and Drama/Dance Depts. She has also directed three 24 hour plays for her alma mater, Bennington College for the Spencer Cox Memorial Fund and Nicolas Martin Scholarship Fund at the Signature Theatre, Lucille Lortel, and the Public Theatre. https://multistages.org/

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