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Event Details
  • Town Hall Open Discussion: Women Producers Take the Stage
     March 28, 2023
     6:30 pm - 9:00 pm
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Live Town Hall: Women Producers Take the Stage (the Conversation Continues)

Tuesday March 28th, 6:30 networking, 7pm (ET) start
Polaris North Theatre, 245 W. 29th Street, 4th floor, NYC
(JOINING US IN PERSON? VACCINATION PROOF REQUIRED, MASKS RECOMMENDED.)

Our return to our live monthly panels/discussions, with a simultaneous streaming for our friends outside of New York City. (Everyone should receive the zoom link when you register. If you don't receive it, email TRUnltd@aol.com to request link.)

Co-hosts to include: Nicolette Blount, composer, lyricist, playwright, producer-investor at Take My Shot Productions, member of the Chickasaw tribe; Jane Dubin, producer (Is This A Room, Dana H.; The Prom, Tony winning The Norman ConquestsAn American in ParisFarinelli and the KingBandstandPeter and the StarcatcherAbsolute Brightness of Leonard PelkeyThe 39 StepsAnn); Sharon Fallon, producer  (IndecentBeautiful  Broadway,  London & National Tour, Matilda The Musical, Lysistrata Jones) and general manager; N'Kenge, actress (Motown: The Musical, Caroline, or Change, Sondheim on Sondheim) and producer (Forever Summer, Lights of Broadway, The Dolly Sisters, Lucky Numbers); Jana Robbins, actress (Gypsy, Tale of the Allergist's Wife) and producer (Drama Desk winner Fiddler on the Roof in Yiddish, Tony and Olivier winning Company revival Broadway and West End, Ragtime revival, Little Women; UK developmental productions of The Jazz Age, The Astonishing Times of Timothy, upcoming Rose in West End with producer partner Haley Swindal; producer Cheryl Wiesenfeld (Tony awards for The Gershwins Porgy and Bess, Elaine Stritch At Liberty, All the Way, Vanya & Sonia & Masha & Spike; plus A Steady Rain, Caroline, or Change, Legally Blonde, Dirty Rotten Scoundrels). The forum will be moderated by TRU co-founder and vice-president Cheryl Davis and TRU co-founder and executive director Bob Ost.  

Is theater producing still a “boys’ club?” Are there still obstacles to overcome when a woman takes the lead? What steps towards parity have women taken in this and other areas of theater? Is there farther to go? The goal of these discussions is to elicit proactive conversations that can benefit artists, producers, administrators, and our industry. We invite all members of the diverse theater community to join us and welcome allies to attend.

Panelists
  • NICOLETTE BLOUNT

    is an enrolled member of the Chickasaw Nation with Seminole and European ancestry, a songwriter, playwright, singer, actress, director, and producer dedicated to telling and supporting powerful, untold stories from underrepresented voices."She is the first Native American recipient of the Dramatists Guild Foundation’s National Musical Theatre Fellowship (2024). She co-wrote, composed, and wrote lyrics for Savage: The Unconquerable Wanda Savage, inspired by her great-grandmother’s true story, exploring identity, resilience, and Indigenous erasure, incorporating the endangered Chickasaw language. Savage has earned honors including the 2025 & 2024 O’Neill NMTC Semifinalist, an American Playwriting Foundation’s Relentless Award Honorable Mention, and a residency at Creative Nation’s First Storytellers Festival. Nicolette is also writing a creative nonfiction book on Wanda, represented by Park & Fine Literary Management. Her music has over 68,000 streams, with all proceeds benefiting the Oklahoma Alliance Against Violence. She has presented work at Broadway Sessions, NYMF, 54 Below, Joe’s Pub, and Focus on Native Composers. She has been a featured speaker at several events including Voices of Change: First Storytellers at Longmont Museum, CO. Nicolette founded NativeTheatreArtists.com to support Indigenous creatives. As a producer, her highlighted projects include co-producing A Commercial Jingle for Regina Comet (Off-Broadway) and In Pieces (in development), as well as serving as an associate producer on the Broadway concept album Winner, set for release in time for Pride Month. Through TRU she produced Rolling With the Punches (reading) and Reprieve (short filmed play). She is an investor in the Museum of Broadway, Millennials Are Killing Musical and helped financially support the Native Off Broadway musical, Distant Thunder. She is a member of ASCAP, Dramatists Guild, RISE, MUSE, Maestra, TRU, Songwriters Guild of America, and the Society of Composers and Lyricists.

  • JANE DUBIN

    is a Tony, Drama Desk and Drama League Award-winning producer and the President of Double Play Connections, a theatrical production company committed to supporting the development of new work. Jane is a graduate of the CTI 14-week (NYC) and O’Neill (CT) Producing Workshops and Director of TRU’s Producer Development Master Class. Ms. Dubin is co-Chair of the Board of Houses on the Moon Theater Company, a past Board member of the League of Professional Theatre Women and was a Tony voter for seven years. She is a member of the Broadway Women’s Alliance, Off-Broadway Alliance, LPTW and Off-Broadway League. She serves as an evaluator for Bethany Arts Community’s residency program. She is a frequent panelist and guest lecturer on theater-related matters. Jane serves on the advisory boards of Elizabeth Mascia Child Care Center, Axial Theatre and Dirty Laundry Theatre. Jane has an MBA in Finance from NYU and was a partner in an investment advisory firm prior to her theater career. Productions: Recent: The Village of Vale – an original fantasy musical (Adirondack Theatre Festival), Still, starring Melissa Gilbert and Mark Moses.  Broadway: Is This A Room, Dana H., The Prom (Drama Desk Best Musical), Farinelli and the King (Mark Rylance), An American in Paris (4 TONY Awards, London, National Tour), Ann, (Holland Taylor) (Lincoln Center), Bandstand, Peter and the Starcatcher (5 TONY Awards), The  Norman Conquests (TONY). Other: Absolute Brightness of Leonard Pelkey, Beebo Brinker Chronicles (GLAAD Media Award), Groundswell, The 39 Steps, The Umbrellas of Cherbourg (London). Film: Radium Girls

  • SHARON FALLON

    founder of Sharon Fallon Productions, Inc., is an independent theater producer, general manager, and theatrical consultant with over two decades of experience in commercial and non-profit theatre. In 2015, Sharon established her theatrical production and general management company with a mission to bridge the gap between art and business — ensuring productions are both financially sustainable and artistically fulfilling. She takes a holistic approach to her work, overseeing all stages of production from initial concept to final performance. Sharon works closely with early-career producers and artist-driven projects, providing guidance across readings, development workshops, and full productions to help bring new theatrical works to life. Her career spans roles as actress, director, general manager, managing director, and producer. Broadway credits include IndecentBeautiful: The Carole King MusicalMatilda The Musical, and Lysistrata Jones. She has also served as Associate General Manager for both the Helen Hayes Theatre and the Lyric Theatre in New York. Sharon is currently working as executive producer and/or general manager on several projects in development. She serves on the Board of the National Alliance of Musical Theatres (NAMT), co-chairing the Member Resources and Conference Committee, and is a member of the Off Broadway League.

  • JANA ROBBINS

    is the recipient of the 2017 TRU “Spirit of Theater Award” and is both a Broadway actor and producer having played leading roles on Broadway in Good News, I Love My Wife, Crimes of the Heart, Gypsy (playing the “bump it with the trumpet" stripper Mazzeppa while covering Tyne Daly as Mama Rose) and The Tale of the Allergist’s Wife (covering both Linda Lavin and Michele Lee and starring opposite Valerie Harper in the National Tour). Jana founded Better World Productions in order to “present theater that not only entertains, but also educates; and inspires us to create a Better World." She made her Broadway producing debut with Little Women. Other Broadway producing credits include the revival of Ragtime and a financial stake in War Horse and Something Rotten (currently on National Tour). Off-Broadway productions include I Love You Because, Through The Night and White’s Lies. She was also a producer on Marianne Elliot’s Heisenberg and Company in London as well as the Broadway revival. Shows in development include: The Astonishing Times of Timothy Cratchit (developed at The Workshop Theater) and The Jazz Age (World Premiere at 59e59) slated for a London production. For more info: www.janarobbins.com

  • CHERYL WIESENFELD

    Following a career in publishing, Cheryl began her theatre producing career in 1998. Broadway: The Great Society, The Heidi Chronicles, All The Way, Rocky, Vanya & Sonia & Masha & Spike, The Gershwins’ Porgy and Bess, A Steady Rain, Legally Blonde, Dirty Rotten Scoundrels, ‘night Mother, Caroline or Change, Elaine Stritch At Liberty, and Hedda Gabler. Off Broadway: 10th Anniversary Exonerated, Play Dead, In The Continuum, Shockheaded Peter, Talking Heads, The Exonerated, The Waverly Gallery. Film: Elaine Stritch: Shoot Me. Current: Ain’t Too Proud- The Temptations musical. Upcoming: The Harder They Come. Cheryl has produced shows that have spawned national and international tours and sit down productions, regional productions, and London engagements which have grossed hundreds of millions of dollars. Cheryl has won numerous awards for her productions including the Drama League, Drama Desk, Lucille Lortel, New York Drama Critics Awards and 4 Tony Awards. She has been honored by Theater Resources Unlimited with “The Spirit of Theater” award in 2007, and The Houses on The Moon Amplify 2015 Award for her support in championing the unheard voice. Her board commitments: Theater Resource Unlimited where she co-founded the TRU mentorship program. The program to date has mentored over 200 commercial producers and self producing artists. Cheryl is on the board of Silver Hill Hospital in New Canaan, Connecticut, and is on the Honorary Council of Long Wharf Theatre in New Haven Connecticut. Cheryl continues her mentoring work and speaks at universities, on panels and for different organizations. She is in her second year of curating a theatre program with the title - Theatre that changes OUR World- at The Quick Center at Fairfield University.
  • CHERYL L. DAVIS

    received the Kleban Award as a librettist for her musical Barnstormer, (written with Douglas J. Cohen) about Bessie Coleman, the first Black woman flyer. The show received a Jonathan Larson Award through the Lark Play Development Center. Her play Maid’s Door received great reviews, won seven Audelco Awards, and was a finalist for the Francesca Primus Prize. Her play The Color of Justice (commissioned by Theatreworks/USA), received excellent reviews in the New York Times and Daily News, and tours regularly. Her musical Bridges, which was commissioned by the Berkeley Playhouse, received its world premiere in February 2016 to great reviews and three award nominations from the San Francisco Bay Area Theatre Critics Circle. She received a Writers’ Guild Award for her work on “As the World Turns”, and was also nominated for a Daytime Emmy Award. Her work has been read and performed internationally, including at the Cleveland Play House, the Actors Theatre of Louisville, and the Kennedy Center.  She is the General Counsel of the Authors Guild.

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