We're Zooming ahead into the Virtual World - Speed Date has been reformatted for Zoom! More tech, less noise – each writer will be in an individual breakout room with each of our 11+ producers.
Sunday 03/06, 2022 - submission deadline 02/23
Session 1: coaching at 2:00, pitching at 4:00 ET (there will be an hour wait time between coaching and pitching)
Session 2: coaching at 3:00, pitching at 5:30 ET (there will be a 90 minute wait time between coaching and pitching)
You meet a producer at a party, and have two minutes to interest him in your work. Do you have the skill to sell yourself? Here's a chance to practice your pitching with real producers who are open to and interested in meeting you. Okay, they probably won't option you on the spot, but they'll give you valuable feedback about your work and your ability to talk about it. And you'll have the opportunity to start developing a relationship. And that's what this business is all about. Relationships.
The Speed Date is the only event I know of that gives writers the chance to meet high level producers one-on-one in a room. To me, that's what makes the Speed-Dates so valuable. And you do it with kindness, which I value in life. ~Vincent Amelio (How Alfo Learned to Love)
Click here: WriterSpeedDateApp-85-75virtual-rev2 for application. Please fill out and email to TRUStaff1@gmail.com (PLEASE - add your name to the document name, and put it first when you "save as").
We'll have eleven producers lined up, from both the commercial and not-for-profit worlds, all with an interest in new projects; we also may have eleven aspiring producers from our Producer Development program. So you'll be pitching to as many as 22 producers in total! Come with a willingness to learn, because the real value is the chance to practice your pitching. And you'll be getting invaluable coaching from experts, as well.
Confirmed producers include:
- Margot Astrachan, producer (Diana, The Prom, A Gentleman's Guide..., Ghost the musical, Around the World in 80 Days, Nice Work If You Can Get It, On a Clear Day...);
- Patrick Blake, producer (The 39 Steps revival, Bedlam Theater’s Hamlet/St. Joan, Play Dead, The Exonerated, In the Continuum), founding artistic director Rhymes Over Beats Hip Hop Theater Collective;
- Cate Cammarata, director-dramaturg and producer (My Life Is a Musical, The Assignment), executive producer of CreateTheater's New Works Fest, associate artistic director for Rhymes Over Beats Hip Hop Theater Collective;
- Susan Cohen, Ladies Who Launch Theatricals, producer (What They Said About Love in NY and London, Money Talks the off-Broadway musical) - "My taste is eclectic. I prefer happy endings where people come together as compared to when they are driven apart, but I am open to anything.";
- Merrie L. Davis, producer & out of the-box-marketer (winner 4 Olivier awards for Company London, Company on Broadway, 6 Tony Nominations for Eclipsed, Gigi; Museum of Broadway coming to Times Square; off-Broadway Himself and Nora);
- Jane Dubin, producer (current: Is This A Room, Dana H.; The Prom, Tony winning The Norman Conquests, An American in Paris, Farinelli and the King, Bandstand, Peter and the Starcatcher, Absolute Brightness of Leonard Pelkey, The 39 Steps, Ann);
- Cooper Jordan, producer of Live Entertainment for New York, Atlantic City and National Touring Productions (Blues Brothers, The Rat Pack Undead, Santa's Sing-a-Long, Dex! A Killer Musical) - Cooper Jordan Entertainment manages and produces national self-producing artists, tribute artists and 1-3 person Live Entertainment touring productions primarily based in New York, Boston, Atlantic City, and Las Vegas.";
- John Lant, indie producer & director (15 off-Broadway shows: Frankenstein, Wicked Frozen, It Came from Beyond, Wicked City Blues, Fabulous; current Earnestly LGBTQ+), producing artistic director Write Act Rep NYC/LA (18 years); 2-time NAACP, 4-time DramaLogue & 2-time California for the Arts Winner - "I specialize in the development of new works and am a theatrical show runner for financed projects wanting to come to Off-Broadway.";
- Michael Mills, DDM Productions, producer (Little Shop of Horrors at Westside Arts, Unexpected Joy in NY and London, The Other Josh Cohen off-Broadway, Kleptocracy at Arena Stage D.C.);
- Tamra Pica, producer and casting director for Write Act Repertory, and the new Park Performing Arts Center’s (PPAC) in Union City, NJ - "My work centers on developing writers in theater, film and television. Though I tend to produce more musicals, I am interested in writers in all genres with a strong voice who write the stories they are uniquely meant to tell.";
- Stephanie Rosenberg, Tony Award-Winningproducer (Tony winner for Moulin Rouge!, Anastasia, Matilda, On The Town, Santa's Sing-A-Long!), CEO and Founder of The Empress Productions, co-CEO and Founder of BroadwayApproved;
- Blair Russell, producer (Tony nominated Slave Play, Lizard Boy, concept recording For Tonight, plus fringe festivals), new play developer - "I look for work from writers who have knowledge, experience, and talent and who care about continually improving their craft. I find myself drawn to traditional stories told in new and unique ways, and new, unique stories told in traditional ways. All of these things are true, and none of them are final, good work should be persuasive and inevitable.";
- Ken Waissman, producer (Josephine, original Grease, Agnes of God, Torch Song Trilogy).
Coaches: Diana Calderazzo, Emileena Pedigo, Bailie Slevin
Observing Producers: Maureen Condon*, Melvina Douse-Manuel*, Musa Gurnis, Randall Huskinson*, Christopher Michaels*, David Quang Pham*, Eric Sirota*, Tracy Swedlow*, Patricia Zehentmayr*
[*members and alumni of TRU's Producer Development program]
I really am impressed with the info and support from TRU. I've done several of these with [another] group. I quit last year. With you guys it's like you're setting us up for success, what a concept. ~Kurt Johns
I just wanted to relay a huge thanks to you and everyone at TRU for this experience, it was awesome! We really felt supported the whole way through, and we feel so much better prepared to market our show after getting the chance to practice pitching. If there's anywhere we can write a review or something for this experience, please let us know. And thank you and the rest of the team for all the tech effort behind this. ~Daniel Rosen & Alara Magritte
Just wanted to say “thanks” for your Herculean efforts in making the event so worthwhile.... Honestly, I much preferred pitching via Zoom than in person with everyone else within earshot. ~Sam Affoumado
I participated in TRU's Writer's Speed Date Pitch session last year, and got a LOT out of it! I found it so motivating to have a deadline to create production assets and prepare myself for meeting producers. My partner and I worked tirelessly for days before the event to make sure we were in top form before presenting (as writers) to the "producers" on hand. My experience was one of the rare occasions where several producers expressed real interest in my work. Later, one attended my reading, and followed up with a coffee meeting to talk financing. We're still in touch. Again, this is never promised, but it does happen for some of us. In my opinion, the price of $85 for all that value is a BARGAIN! ~Ed Zareh (Long Lost John)
I've had follow-up meetings with two people I met from the event. and provided scripts to three others. I also met some fellow playwrights, and through a chain of introductions coming out of that, I'm now working on a possible film deal in Los Angeles. If you have a project where you'd like to practice and receive feedback on your pitch; potentially make some connections that would be useful for script development or early production; and meet some other playwrights – this is an ideal opportunity. ~William Roetzheim
is an adjunct instructor of Theatre at Fordham University, teaching Invitation to Theatre. She earned a PhD in Theatre with a focus in Cognitive Studies from the University of Pittsburgh in 2012 and a Master’s Degree in Theatre from the University of Central Florida in 2005. She has taught Theatre and/or Communications at both of those universities, as well as Central Texas College and Bronx Community College. Diana was also a scholarship recipient at Smith College, where she completed her Bachelor’s Degree in Theatre. Diana has published peer-reviewed articles in such journals as Theatre Topics and Theatre Symposium, and has presented papers at national and international conferences such as the American Society for Theatre Research and the International Federation for Theatre Research. She is also a member of Wardrobe Local 764 in New York City, where she works as a wardrobe technician for various Broadway shows. She worked as a full-time dresser for Spider-Man: Turn Oﬀ the Dark on Broadway from 2010 to 2013. Diana is a former Tour Actor/Director for the Missoula Children’s Theatre and has taught Theatre to over 2,500 children around the country with this company. She has also toured in Europe as a performer with Music Theatre Bavaria.
is the founder of Financial Wellness Companion, Entertaining Finance, and is the current Sales Trainer at MediaRadar. She has made a study of language and how people communicate value, be it screenwriting, playwriting, sculpting, performing, painting, or commercial sales. Bailie helps to translate the creator’s passions to others in a business setting. With her15 years in the personal financial planning industry, Bailie developed a niche in the arts and freelance communities, specializing in working with people with an uneven income. She has also spent significant time in the theatre industry as a stage manager, general manager, and producer. She is a Life Purpose Life Coach and a New York Mental Health Peer Specialist. She lives in New York City with her rescue pup, Lorelai.
Emileena's work focuses on building sustainable careers #AnotherWay, using entrepreneurial strategies that prioritize the artist over their art. Her company, The Show Goes On Productions provides coaching and artist management, as well as produces workshops, showcases, and events. Before that Emileena was managing producer of the Midtown International Theater Festival. She helped expand the annual festival into seven venues, presenting up to 60 shows in one month during her seven-year tenure. Emileena also general-managed for several nonprofits, assisted Stewart F. Lane on four Broadway shows, including the Off-Broadway transfer of The 39 Steps, and worked on various film and music festivals. She toured theaters, music arenas, and schools across the country, working with artists from all artistic disciplines. Emileena has served on the board of Conscious Capitalism NYC, and helped to build Arts programming within the Chelsea Greenwich Village Chelsea Chamber of Commerce. She is a graduate of the Commercial Theatre Institute, SUNY/Kaufmann's Fasttrac program for entrepreneurs, and a Purdue University alum.
is a Tony Award winning commercial theatrical producer based in New York. Broadway: Diana, A New Musical, The Prom, Tony Award winning A Gentleman's Guide to Love and Murder, The Realistic Joneses, Nice Work If You Can Get It, the revival of On a Clear Day You Can See Forever; Bonnie & Clyde; Busker Alley, Ghost the Musical National Tour, and the only staging of Stephen Sondheim’s Evening Primrose. She also produced The Sting starring Harry Connick Jr. at The Papermill Playhouse. Margot wrote, produced and performed five one-woman cabaret shows. New York: Danny’s Skylight Room, Judy’s, The Plaza Hotel, The Oak Room of The Algonquin Hotel, the Triad, The National Arts Club, and Don’t Tell Mama’s, among others. With dancer/choreographer Carmen de Lavallade, she wrote the book of a new Jazz musical, which has been read at Lincoln Center and at The York Theater. Margot was the American Artistic Director of the Jermyn Street Theatre in London and The Kings Head Theatre in London, and has had over 30 years’ experience producing special events for Arts Organizations such as The York Theatre Company, The Theatre Museum, and Brit-Arts of The St. George’s Society, which with Jim Dale, featured British and American theatre professionals in readings and panels in New York. She was the Vice Chair of The New York Musical Theatre Festival (NYMF), and is a board member of The Alumni & Friends of The LaGuardia High School for the Arts, Chair of the Theater Advisory Committee of the Library For the Performing Arts at Lincoln Center, a Board Member of The Transport Group and Co-Chair of the Rachel Crothers Award of the League of Professional Theatre Women. She is a graduate of CTI (The Commercial Theatre Institute) and is a member of The Association of Performing Arts Presenters, The National Alliance For Musical Theatre, The Broadway League, The Dramatists Guild, the Advisory Board of TRU, British American Business, Inc. and BAFTA East Coast. She is the past chair of The American Friends of the London Philharmonic Orchestra. Her latest project is Radio Galaxy by Michele Aldin Kushner (found in the TRU Voices series) and directed by Mark Waldrop, currently in development. She is a graduate of CTI (The Commercial Theatre Institute) and is a member of The Association of Performing Arts Presenters, The National Alliance For Musical Theatre, The Broadway League, The Dramatists Guild, the Advisory Board of TRU, British American Business, Inc. and BAFTA East Coast. She is the past chair and current board member of Theater Resources Unlimited and The American Friends of the London Philharmonic Orchestra.
is a writer/producer based in New York and San Francisco, and Founding Artistic Director of Rhymes Over Beats, a hip hop theater company. In New York theater, he is a producer of the off-Broadway revival of The 39 Steps, the off-Broadway transfer of Bedlam Theater Company's dual productions of Hamlet and Saint Joan, and is currently producing My Life Is a Musical (from the TRU Voices series) which had a debut production at Bay Street Theatre. He was one of the producers of Play Dead! at The Players Theatre, he has produced In the Continuum at Perry Street Theatre, Noah's Archive, Joe Fearless, The Exonerated (Lucille Lortel, Drama Desk, Outer Critics Circle and Court TV's Scales of Justice Award) and The Soap Myth at Southstreet Seaport. He also produced Dirty Works at the Edinburgh Fringe Festival. He was Executive Producer for the short film, The Igloo, and the feature film Mr. Smith Gets a Hustler. Patrick is a proud board member of TRU.
is an Off-Broadway producer, director and dramaturg in NYC, dedicated to the development of new plays and musicals. She is the Founder and Executive Producer of CreateTheater's 2022 New Works Fest, the Associate Artistic Director for Rhymes Over Beats Hip Hop Theater Collective and has been the Literary Manager for Theater Resources Unlimited (TRU) for ten years. Off-Broadway: The Assignment, My Father's Daughter. Regional: My Life Is a Musical (Bay Street Theater). Cate's company CreateTheater, has been helping writers develop and produce new work since 2016. During the shutdown of 2020-2022 CreateTheater developed and/or produced more than 70 shows with online readings, workshops and dramaturgical guidance. For this work Theater Resources Unlimited (TRU) has honored her with the TRU Entrepreneur of the Year award in 2022. Cate holds an MFA in Dramaturgy from SUNY Stony Brook and is an Associate Professor of Theatre Arts at CUNY Baruch College. www.CateCammarata.com www.CreateTheater.com
SUSAN L. COHEN
is a producer whose career has spanned the industry from casting to stage managing to international ticketing. She produced WHAT THEY SAID ABOUT LOVE by Steve Budd in New York and London in 2018 and 2019, and online via CreateTheater in 2020. She also produced Budd’s WHAT THEY SAID ABOUT SEX on CreateTheater last year. Susan is a producer of the new comedy WORKING FOR CRUMBS by Kate Danley, and was a coproducer of MONEY TALKS the musical, by Peter Kellogg and David Friedman, at New York’s Davenport Theater. A Broadway investor, Susan is a graduate of the Broadway League’s Commercial Theater Institute 14-Week Program and Dartmouth College. She earned an MBA in Finance and Theater Management at Columbia University, where she attended weekly seminars taught by Gerald Schoenfeld and Bernard Jacobs in the Shubert’s offices. Susan is a founding member of the producing group Ladies Who Launch Theatricals.
MERRIE L. DAVIS
is a producer (New York, London), Out-of-the-Box Marketer and an Olivier Award Winner for Company, West End (Winner of 4 Olivier awards including Best Musical Revival 2019) and Tony nominated producer for Eclipsed with Lupita Nyong’o (6 Tony nominations). She was a producer on Company on Broadway (9 TONY Nominations including Best Revival of a Musical, 2022). Her producing career began with Gigi the Musical, Himself and Nora with Matt Bogart (Jersey Boys) and Whitney Bashor (The Bridges of Madison County). Since coming into the New York theatre world she has been investing and raising money for shows including: Dear Evan Hansen, To Kill a Mockingbird, Hello, Dolly!, The Band's Visit, Network among others. In addition to producing, she is an Out-of-the Box Marketer who founded Next Act 2 Follow, a producing/marketing company, utilizing her unique marketing skills and introducing inventive ideas to the Broadway scene on shows including, Allegiance and 39 Steps. Prior to making a career change into producing, Merrie had been a Publisher and Out-of-the-Box Marketer for over 25+ years in the magazine world dealing in the Hospitality and Tourism industries. While owning her own Visitor Magazines, IN New York and WHERE that were distributed in the hotels, she also had the pleasure of working with all the theater agencies. Merrie is on the Board of TRU and the Broadway Association and is still delighted that she took the giant leap into an industry that she had always loved!!!
is a TONY Award-winning producer and the President of Double Play Connections, a theatrical production and management company committed to supporting emerging artists and playwrights in the creation and development of new works. Jane is a graduate of the Commercial Theatre Institute's 14-week (NYC) and O’Neill Center Intensive (CT) Producing Workshops and Director of Theater Resources Unlimited’s Producer Development Program Master Class. Ms. Dubin is Chair of the Board of Directors of Houses on the Moon Theater Company. She is a member and recent Board member of the League of Professional Theatre Women. She is a member of the Broadway Women’s Alliance and the Off-Broadway League. For two years she was co-curator of the Hudson Valley Writers’ Center New Play Reading Series. She co-produced Hudson River Rising, presenting events in Westchester for One Billion Rising (V-Day). She was a strategic consultant to SPACE on Ryder Farm, an artists’ residency in Brewster, NY and a member of the Grand Jury for New York Musical Festival’s 2015 – 2019 seasons. She served as an evaluator for a NAMT innovation grant panel and is a juror for Bethany Arts Community residency program. She is a frequent panelist and guest lecturer on theater-related matters. Before embarking on her career in theater, Ms. Dubin spent over 20 years in the financial services industry. Productions: Upcoming: The Village of Vale. Recent: Is This A Room, Dana H., The Prom (Drama Desk Award Best Musical, now on Tour), Farinelli and the King (starring Mark Rylance, nominated for 5 Tony Awards), An American in Paris (4 TONY Awards, plus London and National Tour), Absolute Brightness of Leonard Pelkey (Westside Theater and on Tour), Ann, starring Holland Taylor (Lincoln Center); Bandstand (Broadway), Beebo Brinker Chronicles (2008 GLAAD Media Award for Theatre); Groundswell (the New Group), Peter and the Starcatcher (Broadway, Off-Broadway, National Tour), winner of 5 TONY Awards; The Norman Conquests (TONY Award, Best Play Revival), The 39 Steps (OB, Tour); The Umbrellas of Cherbourg (London). Film: Radium Girls.
is one of New York's youngest theatrical Off-Broadway & Touring producers, having produced & managed over 30 shows in Manhattan. Cooper created the Halloween hit The Rat Pack Undead in 2013, shortly after acquiring a Times Square residency, and now is celebrating 10 years running. Cooper was Managing Director & Producer with Off-Broadway's former Elektra Theater where he produced multiple Off-Broadway hits Boogie Stomp (Executive Producer), Miles Thorn Master Illusionist (Lead Producer) which ran consistently for 2 years, New York's Got Talent (Producer & Host) and more. An Actor & Show Host, as well as Producers he splits his East Coast time between New York & Atlantic City, where he's revitalizing the AC Live Entertainment market. Cooper Jordan Entertainment now manages and produces Live Entertainment & Touring productions primarily based in New York, Atlantic City, and Las Vegas.
(Creative Producer / Artistic Director / Consultant) 40-year veteran in the entertainment in over 700 television, film, theatre/music tours, and live theater. Pre-Covid: Production Manager at Carnegie Hall since 2006-2020 season for over 2,000 events. Award-winning producer, director, writer, lighting/set designer at Interlochen, Cal Arts, Ricardo Montalban, Powerhouse, Glendale Center, Hollywood Playhouse, Long Beach Playhouse, the Jewel Box Theatre Center and Write Act Repertory garnering DramaLogue, Diamond, ADA, NAACP Awards, LA Weekly and Backstage Pick of the Week, Garland and Valley Theatre (LA) nods. Executive Producer New Frequency - Theatre of the Mind 150 original Radio Dramas for SIRIUS/XM Radio's Sonic Theatre - Ranked #1 Radio show. Mentored with Jonathan Sanger & Chanticleer Films for two shorts that won an Emmy and an Oscar, Howard Storm CBS Radford and TRU PDMP Master fellow under Jane Dubin and Jennifer Issacson. Directed TV / Pilots Symphology, Carrot Talk, BET JAZZ Master Awards (1&2), Toronto Independent Shorts Awards, Funiki-Jam Season 2, and Anonymous Confessions. 14 Off-Broadway Lead Producing (union and non-union) credits include FABULOUS! 2By Tennessee Williams, Lili Marlene, Frankenstein, It Came from Beyond, Wicked Frozen, Teen Party Massacre, SWING!, Wicked City Blues, Great Cat Massacre, GEEKS! (St. Luke's & Actors Temple). Recent Pre-COVID LA productions: Finest Hour (Winston Churchill), Wicked Wicked Mae West, The Lester Young Story, and Frank and Eva. TV/Film Credits include King of New York, The Freshman, Army of Darkness, Renegade, Power Rangers, and HBO Max's The Flight Attendant (CCO Supervisor). Tours include Phantom of the Opera, Singin' in the Rain, Gypsy, and Evita. Current Off-Broadway pre-production Pearl Bailey Musical (with Tony winning team members of Dreamgirls! and Hamilton). Development Director/Consultant - Twisted Media NYC, Nathan Murphy Prod, Gatehouse Entertainment, Tin Mirror Prod and Trinity Theatrics for new network and streaming content. COVID Compliance Officer for Film/TV/Theatre.
is a Drama Desk award winning producer, director and new works developer. Off-Broadway he is producing Little Shop of Horrors at the Westside Theatre and has co-produced The Real Josh Cohen in NY, Unexpected Joy in NY and London and the world premiere of Kleptocracy at Arena Stage. He was co-director of the original production of Come Out, Come Out and directed The Songs of Bobby Cronin and shows at 54 Below and Green Room 42. He has supported numerous Broadway shows and is a member of the Abingdon Theatre Board. He has three shows optioned and in development as a founding member of DDM Productions.
producer and casting director for Write Act Repertory. Tamra's theater and television work spans 33 years and over 250 productions as a prop designer, AEA Stage Manager, producer and casting director of plays, musicals, dance and ice shows. She produces both Off Broadway, as well as, managing the Los Angeles theater presence for Write Act. Recent credits include the long-running Frankenstein, Wicked City Blues, and Swing. Other credits include: Lili Marlene, Caldwell’s Bomb for the New York Venus/Adonis Theater Festival, Renewal, Your Name on My Lips at Theater for the New City and the long running musical Fabulous! Queen of the New Musicals where she served as a casting director and producer. Alongside theater, Tamra’s work production, casting, and development television work can be seen for companies such as Disney, Sony, Cartoon Network, NBC Studios, TBS, CBS, MTV, ABC and FOX. She currently works on the animated Disney series Mira, Royal Detective.
is a Tony-nominated producer, developer, whose experience ranges from fringe festivals to Broadway shows. His most recent theatre projects include the 12-time Tony-nominated Slave Play, Lizard Boy, and the concept recording of the new musical For Tonight. As Co-founder and Director of Operations for Resounding, he produces live immersive entertainment. Blair has been a guest speaker/artist at a number of institutions including the University of Maryland, University of North Carolina Greensboro, Walnut Hill School for the Performing Arts, and the York School in Monterey, CA. He was also a visiting lecturer for the semester-long Atelier program at Princeton University where he collaborated with composer Georgia Stitt on her oratorio The Circling Universe. Blair has appeared as a guest on a number of podcasts (American Theatre Artists Online, A Star Is Bored, Backstage Talk, Broadway ReFocused), webseries (Actors Unscripted, Awkward Conversations, Be Our Guest! - Live and In Color, Dreamland XR, In The (Home) Office - Goodspeed Musicals), and at global conferences (National Alliance for Musical Theater, Global XR Conference, Immerse Global Summit Series)
is one of only two producers in the history of Broadway to have a musical run over 3000 performances and a play run over 1000. (The other producer he shares this distinction with is the legendary David Merrick.) Waissman developed and produced the original Broadway production of Grease as well as two of Broadway’s longest running plays, Agnes of God by John Pielmeier and Torch Song Trilogy by Harvey Fierstein.Waissman's first Broadway credit was the 1971 Paul Zindel play And Miss Reardon Drinks a Little with Estelle Parsons and Julie Harris, and his prolific Broadway efforts have resulted in four motion picture features, a PBS TV special, 25 Tony Award® nominations, and 5 Tony Awards® including a Tony Award® as ‘Best Play Producer.’ His new musical, Josephine, inspired by Josephine Baker, had its World Premiere in April at the Asolo Theatre in Sarasota, Florida. Deborah Cox played the title role and Joey McKneely directed and choreographed.
is a recent graduate of TRU’s Producer Development Master and Foundations Classes, and was assistant to the producers for the 2021 TRUSpeak Benefit. In 2019, Condon helped raise production funding for the Cape Cod Theatre Company’s debut of her new musical comedy CRUDE-The Climate Change Musical. Condon has produced and directed TV commercials that have aired on The Weather Channel and other cable TV channels. Condon has also produced documentary and promotional videos for Fortune 500 and high tech companies. Notable, among her productions focusing on technology, are: “Severe Weather,” a documentary distributed nationwide to TV weathercasters; a documentary about NASA’s Jet Propulsion Laboratory and the Fly-by of Saturn by NASA’s Voyager II Spacecraft; and a Maysles Brothers’ cinema verite film about Polaroid Corporation’s technology. Condon has also produced, directed and choreographed multi-media/live fashion and magic shows for trade shows nationwide. Memberships include: Theater Resources Unlimited; League of Professional Theatre Women; CreateTheater; ASCAP; The Dramatist Guild; and The Eventide Theatre Company’s Playwrights’ Lab.
is the Founder and Producing Artistic Director of IndieWorks Theatre Company in New York City and the Executive Producer and Resident Director of the multi-award-winning podcast series, Bite-Sized Broadway: A Mini-Musical Podcast. He has been the lead producer and resident director for numerous productions, concerts, cabarets, and projects large and small, including the Off-Broadway musical, The Giant Hoax (Theatre Row), “fan favorite” festival productions of Casper, The Not-So-Friendly Ghost and Empty Frames, The Commuters… (the most-nominated production of the year including a nomination for Best Musical and a win for Best Director) to name a few. He is the Executive Producer for IndieWorks’ Summer Cabaret Series, for the short musical film, Valley High (based on the song by Drew Gasparini), and the hit Dungeons & Dragons-inspired improv show, The Campaign. Christopher is a current member of the TRU Producer Development and Mentorship Program, an associate member of the Stage Directors and Choreographers Society, and a certified Covid Compliance Officer for theatre production and patron safety. www.ChristopherMichaels.nyc | @itscmikes on Facebook, Instagram, and Twitter.
ERIC B. SIROTA
is a composer/playwright of musical theatre (and physicist). His Frankenstein played Off-Broadway at St. Luke’s Theatre for 3 years, and is currently in post-production as a movie. He is currently developing A Good Day (music, memory, an old flame and Alzheimer’s). His Your Name On My Lips was produced by Theater for the New City; Go, My Child is in development; A Day at the White House recorded as a podcast. Member of TRU, PDMP Master class alum; resident composer/writer at Write Act Rep. www.EricSirota.com
DAVID QUANG PHAM
is a musical theater science communicator from Wyoming, Michigan. His purpose is to guide scientists to the fourth wall and theatre artists to the fourth dimension. After completing an astrophysics and theatre education at Michigan State University, he created the universal musical ELLIPSES
as the second apprentice of Working Title Playwrights
, Atlanta. He is the Literary Fellow of Playwrights Foundation
, San Francisco. He is a critic in Kennedy Center’s BIPOC Critics Lab whose work is published in TheaterMania; a moderator at LMDA; a founding member of CreateTheater and the International Dramaturgy Lab; a member of ΣΠΣ, ASCAP, and the Dramatists Guild; an alumni of Theater Resources Unlimited Producer Development & Mentorship Program. Be up to lightspeed at davidquang.com