We're Zooming ahead into the Virtual World - Speed Date has been reformatted for Zoom! More tech, less noise – each writer will be in an individual breakout room with each of our 11+ producers. And since we have no venue costs, we've lowered the application fee by $10.
Sunday April 25th, 2021 - submission deadline 04/15
Session 1: coaching at 2:30, pitching at 4:30 (there will be an hour wait time between coaching and pitching)
Session 2: coaching at 3:30, pitching at 5:30 (there will be an hour wait time between coaching and pitching)
You meet a producer at a party, and have two minutes to interest him in your work. Do you have the skill to sell yourself? Here's a chance to practice your pitching with real producers who are open to and interested in meeting you. Okay, they probably won't option you on the spot, but they'll give you valuable feedback about your work and your ability to talk about it. And you'll have the opportunity to start developing a relationship. And that's what this business is all about. Relationships.
The Speed Date is the only event I know of that gives writers the chance to meet high level producers one-on-one in a room. To me, that's what makes the Speed-Dates so valuable. And you do it with kindness, which I value in life. ~Vincent Amelio (How Alfo Learned to Love)
Click here: WriterSpeedDateApp-85-75(new) for application (and note that actual pricing is $10 less than the application says, during these virtual days). Please fill out and email to TRUStaff1@gmail.com (PLEASE - add your name to the document name, and put it first when you "save as").
We'll have eleven producers lined up, from both the commercial and not-for-profit worlds, all with an interest in new projects; we also may have eleven aspiring producers from our Producer Development program. So you'll be pitching to as many as 22 producers in total! Come with a willingness to learn, because the real value is the chance to practice your pitching. And you'll be getting invaluable coaching from experts, as well.
Confirmed producers include:
- Margot Astrachan, producer (The Prom, A Gentleman's Guide..., Ghost the musical, Around the World in 80 Days, Nice Work If You Can Get It, On a Clear Day...);
- Charlotte Cohn, producer (Church and State, Handle with Care, Rated P for Parenthood);
- Merrie L. Davis, producer (Company London revival and Broadway, Eclipsed, Gigi; off-Broadway Himself and Nora);
- Sharon Fallon/Sharon Fallon Productions, general manager, theatrical consultant, producer (Indecent, Beautiful Broadway, London & National Tour, Matilda The Musical, Lysistrata Jones);
- William Franzblau, producer (Rocktopia, Tony Award-nominated Say Goodnight Gracie, American Buffalo and Wonderland on Broadway; tour of Little House on the Prairie the Musical; off-Broadway Sistas, Jewtopia, Evil Dead the Musical, Respect, Illuminate);
- Sue Gilad/In Fine Company, producer (Moulin Rouge, Angels in America, Jagged Little Pill, Company, Natasha, Pierre, & the Great Comet of 1812; M. Butterfly; Disaster! The Musical; Significant Other. Upcoming: The Outsiders. Off-Broadway: The Other Josh Cohen);
- John Lant, indie producer, director, consultant (14 off-Broadway shows - Frankenstein, Wicked Frozen, It Came from Beyond, Teen Party Massacre, Wicked City Blues, Fabulous), producing artistic director Write Act Repertory LA & NYC (18 years);
- Jennifer Manocherian, producer (Meteor Shower, Dead Accounts, Nice Work If You Can Get It, The Mountaintop, War Horse, Bloody Bloody Andrew Jackson, August: Osage County);
- Sue Marks, producer (The Inheritance, Becoming Nancy, Company, The Prom, The Other Josh Cohen; upcoming: The Outsiders);
- Tamra Pica, producer and casting director for Write Act Repertory, and the new Park Performing Arts Center’s (PPAC) in Union City, NJ;
- Jonathan Pollard, producer (Broadway: All Shook Up; off-Broadway: Disenchanted!, Dai (enough), The Thing About Men, Over the River and Through the Woods, I Love You, You're Perfect, Now Change);
- Markus Potter, theatre director, Artistic Director of Kansas Repertory Theatre, Founding Producing Artistic Director of NewYorkRep, Co-Producer of the Velocity of Autumn on Broadway.
Coaches: Emileena Pedigo, Samantha Saltzman, Joanne Zippel
Observing Producers: Iben Cenholt* of Rune Films, Maureen Condon*, Ryan Cupello*, Sarah Feingold*, Jesica Garrou*, Stephanie Grayson, Carolyn Harrison of Goodlight Productions*, Joe Nelms*, Carley Santori*, Stephanie Schwartz, Eric Sirota*.
[*members and alumni of TRU's Producer Development program]
I really am impressed with the info and support from TRU. I've done several of these with [another] group. I quit last year. With you guys it's like you're setting us up for success, what a concept. ~Kurt Johns
I just wanted to relay a huge thanks to you and everyone at TRU for this experience, it was awesome! We really felt supported the whole way through, and we feel so much better prepared to market our show after getting the chance to practice pitching. If there's anywhere we can write a review or something for this experience, please let us know. And thank you and the rest of the team for all the tech effort behind this. ~Daniel Rosen & Alara Magritte
Just wanted to say “thanks” for your Herculean efforts in making the event so worthwhile.... Honestly, I much preferred pitching via Zoom than in person with everyone else within earshot. ~Sam Affoumado
I participated in TRU's Writer's Speed Date Pitch session last year, and got a LOT out of it! I found it so motivating to have a deadline to create production assets and prepare myself for meeting producers. My partner and I worked tirelessly for days before the event to make sure we were in top form before presenting (as writers) to the "producers" on hand. My experience was one of the rare occasions where several producers expressed real interest in my work. Later, one attended my reading, and followed up with a coffee meeting to talk financing. We're still in touch. Again, this is never promised, but it does happen for some of us. In my opinion, the price of $85 for all that value is a BARGAIN! ~Ed Zareh (Long Lost John)
I've had follow-up meetings with two people I met from the event. and provided scripts to three others. I also met some fellow playwrights, and through a chain of introductions coming out of that, I'm now working on a possible film deal in Los Angeles. If you have a project where you'd like to practice and receive feedback on your pitch; potentially make some connections that would be useful for script development or early production; and meet some other playwrights – this is an ideal opportunity. ~William Roetzheim