fbpx
Event Details
  • Writer-Producer Speed Date (do not purchase until accepted)
    July 18, 2021
    2:30 pm - 7:15 pm
Details Price Qty
TRU member $65.00 (USD)   Goes On Sale
July 11, 2021
Non-member $75.00 (USD)   Goes On Sale
July 11, 2021
Addt'l collaborator $20.00 (USD)   Goes On Sale
July 11, 2021
Non-participant/observer (coaching & pitching) $75.00 (USD)  

Writer-Producer Virtual Speed Date 07-18-21

We're Zooming ahead into the Virtual World - Speed Date has been reformatted for Zoom! More tech, less noise – each writer will be in an individual breakout room with each of our 11+ producers. 

Sunday July 18, 2021 - submission deadline 07/08
Session 1: coaching at 2:30, pitching at 4:30 (there will be an hour wait time between coaching and pitching)
Session 2: coaching at 3:30, pitching at 5:30 (there will be an hour wait time between coaching and pitching)

You meet a producer at a party, and have two minutes to interest him in your work. Do you have the skill to sell yourself? Here's a chance to practice your pitching with real producers who are open to and interested in meeting you. Okay, they probably won't option you on the spot, but they'll give you valuable feedback about your work and your ability to talk about it. And you'll have the opportunity to start developing a relationship. And that's what this business is all about. Relationships.

The Speed Date is the only event I know of that gives writers the chance to meet high level producers one-on-one in a room. To me, that's what makes the Speed-Dates so valuable. And you do it with kindness, which I value in life. ~Vincent Amelio (How Alfo Learned to Love)

Click here: WriterSpeedDateApp-85-75(new) for application (and note that actual pricing is $10 less than the application says, during these virtual days). Please fill out and email to TRUStaff1@gmail.com (PLEASE - add your name to the document name, and put it first when you "save as").

We'll have eleven producers lined up, from both the commercial and not-for-profit worlds, all with an interest in new projects; we also may have eleven aspiring producers from our Producer Development program. So you'll be pitching to as many as 22 producers in total! Come with a willingness to learn, because the real value is the chance to practice your pitching. And you'll be getting invaluable coaching from experts, as well.

Confirmed producers include:

  • R. Erin Craig of La Vie Productions LLC (Austen's Pride, Mr Rickey Calls a Meeting, Into The Wild, In The Heights, Irena's Vow, Velocity of Autumn, High Fidelity, Stalking the Bogeyman, Beatsville, Right Before I Go);
  • Merrie L. Davis, producer (Company London revival and Broadway, Eclipsed, Gigi; off-Broadway Himself and Nora);
  • Jane Dubin, producer (The Prom, Tony winning The Norman ConquestsAn American in ParisFarinelli and the KingBandstandPeter and the StarcatcherAbsolute Brightness of Leonard PelkeyThe 39 StepsAnn);
  • Gene Fisch, Jr.,  Broadway Producing Team (High), 100+ Off Broadway, Off-Off Broadway productions, Carnegie Hall concert Producer, Director of the New York New Works Theatre Festival, Director of 4 episodes of the TV series, “Two Many Moms";
  • John Lant, indie producer, director, consultant (14 off-Broadway shows - Frankenstein, Wicked Frozen, It Came from Beyond, Teen Party Massacre, Wicked City Blues, Fabulous), producing artistic director Write Act Repertory LA & NYC (18 years);
  • Cody Lassen, producer (How I Learned to Drive, Indecent, Spring Awakening; Upcoming: Titanic, A Commercial Jingle for Regina Comet; Co-Producer: Tootsie, What The Constitution Means to Me, The Band's Visit, Torch Song, Significant Other, Macbeth);
  • Tamra Pica, producer and casting director for Write Act Repertory, and the new Park Performing Arts Center’s (PPAC) in Union City, NJ;
  • Stephanie Rosenberg, producer (Broadway: Moulin Rouge!, Anastasia, On the Town revival, Gore Vidal's The Best Man revival; off-Broadway: Disenchanted!; executive producer of Grammy Award winning recording of The Color Purple);
  • plus 2 more tba

Coaches: tba

Observing Producers: tba.

[*members and alumni of TRU's Producer Development program]


I really am impressed with the info and support from TRU. I've done several of these with [another] group. I quit last year. With you guys it's like you're setting us up for success, what a concept.
~Kurt Johns

I just wanted to relay a huge thanks to you and everyone at TRU for this experience, it was awesome! We really felt supported the whole way through, and we feel so much better prepared to market our show after getting the chance to practice pitching. If there's anywhere we can write a review or something for this experience, please let us know. And thank you and the rest of the team for all the tech effort behind this. ~Daniel Rosen & Alara Magritte

Just wanted to say “thanks” for your Herculean efforts in making the event so worthwhile.... Honestly, I much preferred pitching via Zoom than in person with everyone else within earshot. ~Sam Affoumado

I participated in TRU's Writer's Speed Date Pitch session last year, and got a LOT out of it! I found it so motivating to have a deadline to create production assets and prepare myself for meeting producers. My partner and I worked tirelessly for days before the event to make sure we were in top form before presenting (as writers) to the "producers" on hand. My experience was one of the rare occasions where several producers expressed real interest in my work. Later, one attended my reading, and followed up with a coffee meeting to talk financing. We're still in touch. Again, this is never promised, but it does happen for some of us. In my opinion, the price of $85 for all that value is a BARGAIN! ~Ed Zareh (Long Lost John)

I've had follow-up meetings with two people I met from the event. and provided scripts to three others. I also met some fellow playwrights, and through a chain of introductions coming out of that, I'm now working on a possible film deal in Los Angeles.  If you have a project where you'd like to practice and receive feedback on your pitch; potentially make some connections that would be useful for script development or early production; and meet some other playwrights – this is an ideal opportunity. ~William Roetzheim

Producers
  • R. ERIN CRAIG/La Vie Productions LLC

    has been nurturing and developing new theatrical, film and musical artists and projects through their work as a General Manager, Production Manager, Educator, Consultant, Executive Producer and Producer. Current projects include: Austen's PrideMr. Rickey Calls a Meeting, Beatsville, Academy, Village of Vale, Into The Wild, Right Before I Go. Past projects include: The Exonerated (OB) , In The Heights (OB, Bdwy), High Fidelity (pre-Bdwy, Broadway),  Irena's Vow (Broadway), Easter Mysteries (live film), Himself and Nora (OB) Liberty: A Monumental Musical (development, OB), Stalking the Bogeyman (OB), Velocity of Autumn (Broadway), How We Got Away With It (film); and with Houses On The Moon Theatre Company, The Assignment, DeNovo, The Santa Closet and gUN COUNTRY. Member: The Broadway League, The Off-Broadway League, EdTA, Theater Resources Unlimited (TRU); and a proud board member of Houses On The Moon Theater Company. Erin is the new Producing Director for ACT of Connecticut (actofct.org). LaVieProductions.com 
  • MERRIE L. DAVIS

    Producer  (New York, London) & Out-of-the-Box Marketer… Merrie is an Olivier Award Winner for Company, West End (Winner of 4 Olivier awards including Best Musical Revival 2019) and Tony nominated producer for Eclipsed with Lupita Nyong’o (6 Tony nominations). She is currently a producer on Company, Broadway. Her producing career began with Gigi the Musical, Himself and Nora, with Matt Bogart (Jersey Boys) and Whitney Bashor (The Bridges of Madison County). Since coming into the New York theatre world she has been investing and raising money for shows including: Dear Evan Hansen, To Kill a Mockingbird, Hello, Dolly!, The Band's Visit, Network among  others. In addition to producing, she is an Out-of-the Box Marketer who founded Next Act 2 Follow, a producing/marketing company, utilizing her unique marketing skills and introducing inventive ideas to the Broadway scene on shows including, Allegiance and 39 Steps. Prior to making a career change into producing, Merrie had been a Publisher and Out-of-the-Box Marketer for over 25+ years in the magazine world dealing in the Hospitality and Tourism industries. While owning her own Visitor Magazines, IN New York and WHERE that were distributed in the hotels, she also had the pleasure of working with all the theater agencies.  Merrie is on the Board of TRU and the Broadway Association and is still delighted that she took the giant leap into an industry that she had always loved!!! 

  • JANE DUBIN

    is a TONY Award-winning producer and the President of Double Play Connections, a theatrical production and management company committed to supporting emerging artists and playwrights in the creation and development of new works. Jane is a graduate of the Commercial Theatre Institute's 14-week (NYC) and O’Neill Center Intensive (CT) Producing Workshops and past Director of Theater Resources Unlimited’s Producer Development Program, and current Director of the program's Master Class. Broadway/OB: The Prom (Best Musical - Drama Desk Award), Farinelli and the King (5 Tony nominations), starring Mark Rylance, BandstandAn American in Paris on Broadway (4 TONY Awards), National Tour and in London, Absolute Brightness of Leonard Pelkey (Off Broadway and on Tour), Peter and the Starcatcher (Broadway, Off-Broadway, National Tour), winner of 5 TONY Awards; Ann, starring Holland Taylor (Lincoln Center); The Umbrellas of Cherbourg (London); The 39 Steps (OB, Tour); The Norman Conquests (TONY Award, Best Play Revival), Groundswell (the New Group), Beebo Brinker Chronicles (2008 GLAAD Media Award for Theatre). Other: OPA! at TBG Theatre (Best Commercial Production, MITF 2008), Take Me America (Best Musical, MITF 2007), Count Down, (Bank Street Theatre) and the one-woman show that started it all, MentalPause by Margaret Liston. Ms. Dubin is a full voting member of the Broadway League. She is Chair of the Board of Directors of Houses on the Moon Theater Company and a prior Board member of the League of Professional Theatre Women. For two years she was co-curator of the Hudson Valley Writers’ Center New Play Reading Series. She co-produced Hudson River Rising, presenting events for One Billion Rising (V-Day) 2013 and 2014 and was a member of the Grand Jury for New York Musical Festival’s 2015 – 2019 seasons.

  • GENE FISCH JR.

    has been a passionate fan of the arts his entire life. Though only as a hobby these past ten years, he has either produced, directed, or invested in 100+ shows during that span, most all at the Off Broadway and Broadway levels. Philanthropy being his primary focus, he was the lead producer for Carnegie Hall performance / Album that donated the proceeds to establish music programs in NYC schools. He has two television pilots in his repertoire, one of which was his directorial debut that was funded for four episodes by a group who worked for ABC.  Fisch is particularly fond of his work directing the Off Broadway parody of the television show, “Dexter”. Subsequent to being part of the Broadway producing team for High starring Kathleen Turner, Gene founded The New York New Works Theatre Festival, helping over 1,000 artists by giving them a shot on a top tier stage (historically the Duke and Acorn Theaters). Three shows from NYNW’s stages are on their way to Broadway and one (“12 Angry Voices” produced by his mentor and panelist, Lauren Class Schneider) is generating traction for its national tour. Submissions are free and NYNW outlays most all of the upfront costs with the hopes that the NYNW stage is only the first step of the project's journey (Numerous shows have moved forward). Every submission is reviewed by at least one Broadway producer. Gene has led a wonderfully diverse career outside of the arts and currently teaches Engineering Technogenesis at the Stevens Institute of Technology. "The bottom line is that theatre is awesome and if there is a way that we can help someone take their art to the next level while having a ton of fun, we’re all in!"   nynwtheatrefestival.com

  • JOHN LANT

    (Creative Producer / Artistic Director / Consultant) 40-year veteran in the entertainment in over 700 television, film, theatre/music tours, and live theater. Pre-Covid: Production Manager at Carnegie Hall since 2006-2020 season for over 2,000 events. Award-winning producer, director, writer, lighting/set designer at Interlochen, Cal Arts, Ricardo Montalban, Powerhouse, Glendale Center, Hollywood Playhouse, Long Beach Playhouse, the Jewel Box Theatre Center and Write Act Repertory garnering DramaLogue, Diamond, ADA, NAACP Awards, LA Weekly and Backstage Pick of the Week, Garland and Valley Theatre (LA) nods. Executive Producer New Frequency - Theatre of the Mind 150 original Radio Dramas for SIRIUS/XM Radio's Sonic Theatre - Ranked #1 Radio show. Mentored with Jonathan Sanger & Chanticleer Films for two shorts that won an Emmy and an Oscar, Howard Storm CBS Radford and TRU PDMP Master fellow under Jane Dubin and Jennifer Issacson.  Directed TV / Pilots Symphology, Carrot Talk, BET JAZZ Master Awards (1&2), Toronto Independent Shorts Awards, Funiki-Jam Season 2, and Anonymous Confessions. 14 Off-Broadway Lead Producing (union and non-union) credits include FABULOUS! 2By Tennessee WilliamsLili Marlene, Frankenstein, It Came from Beyond, Wicked Frozen, Teen Party Massacre, SWING!, Wicked City Blues, Great Cat Massacre, GEEKS! (St. Luke's & Actors Temple). Recent Pre-COVID LA productions: Finest Hour (Winston Churchill), Wicked Wicked Mae West, The Lester Young Story, and Frank and Eva. TV/Film Credits include King of New York, The Freshman, Army of Darkness, Renegade, Power Rangers, and HBO Max's The Flight Attendant (CCO Supervisor). Tours include Phantom of the Opera, Singin' in the Rain, Gypsy, and EvitaCurrent Off-Broadway pre-production Pearl Bailey Musical (with Tony winning team members of Dreamgirls! and Hamilton). Development Director/Consultant - Twisted Media NYC, Nathan Murphy Prod, Gatehouse Entertainment, Tin Mirror Prod and Trinity Theatrics for new network and streaming content. COVID Compliance Officer for Film/TV/Theatre.

  • CODY LASSEN

    is a Tony-nominated theatre producer and live entertainment consultant. Broadway productions include Indecent, the Deaf West Theatre revival of Spring Awakening, and the upcoming revival of Paula Vogel’s How I Learned to Drive. He has been part of the producing team for other Broadway productions including Tootsie, What the Constitution Means to MeTorch SongThe Band's VisitMacbeth and Significant Other. Upcoming: the first revival of Titanic, The Flamingo Kid, Steven Sater & Duncan' Sheik's Alice By Heart and Burt Bacharach's Some Lovers. In addition to producing his own projects, Cody consults for producers, theaters and agencies to help them discover how they should market their shows for the best chance of financial and critical success. Previously, he was the director of marketing for Los Angeles' Center Theatre Group and its three theaters: the Ahmanson Theatre, Mark Taper Forum and Kirk Douglas Theatre. He is an active member of the Broadway League, the National Association of Musical Theatre, and serves on the Board of NY’s Vineyard Theatre. More info at codylassen.com
  • TAMRA PICA

    producer and casting director for Write Act Repertory, and the new Park Performing Arts Center’s (PPAC) in Union City, NJ. Tamra's theater and television work spans 33 years and over 250 productions as a prop designer, AEA Stage Manager, producer and casting director of plays, musicals, dance and ice shows. She produces both Off Broadway, as well as, managing the Los Angeles theater presence for Write Act.  Recent credits include the long-running Frankenstein, Wicked City Blues, and Swing.  Other credits include: Lili Marlene, Caldwell’s Bomb for the New York Venus/Adonis Theater Festival, RenewalYour Name on My Lips at Theater for the New City and the long running musical Fabulous! Queen of the New Musicals where she served as a casting director and producer.  Alongside theater, Tamra’s work production, casting, and development television work can be seen for companies such as Disney, Sony, Cartoon Network, NBC Studios, TBS, CBS, MTV, ABC and FOX.  She currently works on the animated Disney series Mira, Royal Detective.

SHARE THIS: