We're Zooming ahead into the Virtual World - Speed Date has been reformatted for Zoom! More tech, less noise – each writer will be in an individual breakout room with each of our 11+ producers.
Sunday July 18, 2021 - submission deadline 07/08
Session 1: coaching at 2:30, pitching at 4:30 (there will be an hour wait time between coaching and pitching)
Session 2: coaching at 3:30, pitching at 5:30 (there will be an hour wait time between coaching and pitching)
You meet a producer at a party, and have two minutes to interest him in your work. Do you have the skill to sell yourself? Here's a chance to practice your pitching with real producers who are open to and interested in meeting you. Okay, they probably won't option you on the spot, but they'll give you valuable feedback about your work and your ability to talk about it. And you'll have the opportunity to start developing a relationship. And that's what this business is all about. Relationships.
The Speed Date is the only event I know of that gives writers the chance to meet high level producers one-on-one in a room. To me, that's what makes the Speed-Dates so valuable. And you do it with kindness, which I value in life. ~Vincent Amelio (How Alfo Learned to Love)
Click here: WriterSpeedDateApp-85-75(new) for application (and note that actual pricing is $10 less than the application says, during these virtual days). Please fill out and email to TRUStaff1@gmail.com (PLEASE - add your name to the document name, and put it first when you "save as").
We'll have eleven producers lined up, from both the commercial and not-for-profit worlds, all with an interest in new projects; we also may have eleven aspiring producers from our Producer Development program. So you'll be pitching to as many as 22 producers in total! Come with a willingness to learn, because the real value is the chance to practice your pitching. And you'll be getting invaluable coaching from experts, as well.
Confirmed producers include:
- R. Erin Craig of La Vie Productions LLC (Austen's Pride, Mr Rickey Calls a Meeting, Into The Wild, In The Heights, Irena's Vow, Velocity of Autumn, High Fidelity, Stalking the Bogeyman, Beatsville, Right Before I Go);
- Merrie L. Davis, producer (Company London revival and Broadway, Eclipsed, Gigi; off-Broadway Himself and Nora);
- Randy Donaldson, producer (American Son, The Pee-Wee Herman Show, The Scottsboro Boys);
- Jane Dubin, producer (The Prom, Tony winning The Norman Conquests, An American in Paris, Farinelli and the King, Bandstand, Peter and the Starcatcher, Absolute Brightness of Leonard Pelkey, The 39 Steps, Ann);
- Gene Fisch, Jr., Broadway Producing Team (High), 100+ Off Broadway, Off-Off Broadway productions, Carnegie Hall concert Producer, Director of the New York New Works Theatre Festival, Director of 4 episodes of the TV series, “Two Many Moms";
- John Lant, indie producer, director, consultant (14 off-Broadway shows - Frankenstein, Wicked Frozen, It Came from Beyond, Teen Party Massacre, Wicked City Blues, Fabulous), producing artistic director Write Act Repertory LA & NYC (18 years);
- Cody Lassen, producer (How I Learned to Drive, Indecent, Spring Awakening; Upcoming: Titanic, A Commercial Jingle for Regina Comet; Co-Producer: Tootsie, What The Constitution Means to Me, The Band's Visit, Torch Song, Significant Other, Macbeth);
- Benny Lumpkins Jr., producer (Broadway: A Slave Play; Off Broadway The Landstuhl Chronicles, A Commercial Jingle for Regina Comet);
- Tamra Pica, producer and casting director for Write Act Repertory, and the new Park Performing Arts Center’s (PPAC) in Union City, NJ;
- Stephanie Rosenberg, producer/The Empress Productions LLC (Moulin Rouge! The Musical, Anastasia, Matilda, On The Town);
- Blair Russell, producer (Broadway: Slave Play, off-Broadway Sweeney Todd);
- Aly York, indie producer, LA and Philadelphia area.
Coaches: Diana Calderazzo, Gillien Goll, Bailie Slevin
Observing Producers: Macah Coates*, Maureen Condon*, Iben Cenholt*, Clé*, Larry Daggett*, Carolyn Harrison/Goodlight Theatre*, Nico Juber*, Stephanie Pope Lofgren*, film and theater producer Janel Scarborough, Dr. Karen Selby*, David Stamps*.
[*members and alumni of TRU's Producer Development program]
I really am impressed with the info and support from TRU. I've done several of these with [another] group. I quit last year. With you guys it's like you're setting us up for success, what a concept. ~Kurt Johns
I just wanted to relay a huge thanks to you and everyone at TRU for this experience, it was awesome! We really felt supported the whole way through, and we feel so much better prepared to market our show after getting the chance to practice pitching. If there's anywhere we can write a review or something for this experience, please let us know. And thank you and the rest of the team for all the tech effort behind this. ~Daniel Rosen & Alara Magritte
Just wanted to say “thanks” for your Herculean efforts in making the event so worthwhile.... Honestly, I much preferred pitching via Zoom than in person with everyone else within earshot. ~Sam Affoumado
I participated in TRU's Writer's Speed Date Pitch session last year, and got a LOT out of it! I found it so motivating to have a deadline to create production assets and prepare myself for meeting producers. My partner and I worked tirelessly for days before the event to make sure we were in top form before presenting (as writers) to the "producers" on hand. My experience was one of the rare occasions where several producers expressed real interest in my work. Later, one attended my reading, and followed up with a coffee meeting to talk financing. We're still in touch. Again, this is never promised, but it does happen for some of us. In my opinion, the price of $85 for all that value is a BARGAIN! ~Ed Zareh (Long Lost John)
I've had follow-up meetings with two people I met from the event. and provided scripts to three others. I also met some fellow playwrights, and through a chain of introductions coming out of that, I'm now working on a possible film deal in Los Angeles. If you have a project where you'd like to practice and receive feedback on your pitch; potentially make some connections that would be useful for script development or early production; and meet some other playwrights – this is an ideal opportunity. ~William Roetzheim