fbpx
Event Details
  • What TRU Can Do for You
    September 17, 2019
    7:15 pm - 10:00 pm
Details Price Qty
Free Ticket $0.00 (USD)   Goes On Sale
August 21, 2019
TRU members ticket $0.00 (USD)   Goes On Sale
August 21, 2019
What TRU Can Do for You: A Free Introduction to Our Community
Tuesday, September 17th season opener
Doors open 7:15pm, panel starts 7:30
The Playroom Theater, 151 W. 46th Street, 8th floor
 
Come to our free-for-everyone seasonal kickoff and networking meet-and-greet. And meet the program directors and illustrious board members of Theater Resources Unlimited that make it possible to bring you the range of programming we offer for producers and artists. Our confirmed lineup includes TRU Vice-President and co-founder Cheryl Davis, award-winning playwright, attorney, General Counsel for The Authors Guild, and feedback panelist for How to Write a Musical That Works; TRU literary manager  Cate Cammarata (How to Write a Musical That Works) and assistant Literary Manager Jessie ShinbergEmileena Pedigo of The Show Goes on Productions, who will be leading upcoming workshops; Skip Kennon, former Artistic Coordinator of the BMI Lehman Engel Musical Theatre Workshop, who now helps facilitate TRU's How to Write a Musical That Works workshop; and Ric Wanetik, producer (Grease, Torch Song Trilogy, Agnes of God) who helps run our Director-Writer Communications Lab and is often a Speed Date producer. Plus two of the three people who offer free consultations to new members: entertainment attorney Eric Goldman, and career consultant Joanne Zippel of Zip Creative. 
 
Learn about our programs, including our Producer Development & Mentorship Program, Raising Money for Theater, Essentials of Successful Self-Producing and other Producer Boot Camps, Writer-Producer Speed Date, Director-Writer Communications Lab, How to Write a Musical That Works workshop and more. And let us know what we don't offer that you wish we did.
 
Doors open at 7:15pm for networking and refreshments, roundtable introductions of everyone in the room will start at 7:30pm - come prepared with your best half-minute summary of who you are, and what you need. Free for TRU members; usually $12.50 for non-members, but free for everyone for this season opener. Please use the bright red reservation box on this page, or call at least a day in advance (or much sooner) for reservations: 833-506-5550, or e-mail  TRUStaff1@gmail.com 
Panelists
  • CATE CAMMARATA

    is a producer, director, freelance dramaturg and writer in NYC and is the Associate Artistic Director for Rhymes Over Beats Hip Hop Theater Collective. Cate has produced The Assignment off-Broadway and My Father's Daughter with Ursula Rucker at LaMaMa for Rhymes Over Beats. Regionally she produced My Life Is a Musical at Bay Street Theater and has directed many readings of new work in NYC. She is the Literary Manager for Theater Resources Unlimited (TRU) and holds a BFA in Acting/Directing from Syracuse University and an MFA in Dramaturgy at SUNY Stony Brook, where she teaches Theatre Arts. Her latest book, "Contemporary Monologues for a New Theater," has just been published by Applause Books. catecammarata.com

  • CHERYL DAVIS

    received the Kleban Award as a librettist for her musical Barnstormer, (written with Douglas J. Cohen) about Bessie Coleman, the first Black woman flyer. The show received a Jonathan Larson Award through the Lark Play Development Center. Her play Maid’s Door received great reviews, won seven Audelco Awards, and was a finalist for the Francesca Primus Prize. Her play The Color of Justice (commissioned by Theatreworks/USA), received excellent reviews in the New York Times and Daily News, and tours regularly. Her musical Bridges, which was commissioned by the Berkeley Playhouse, received its world premiere in February 2016 to great reviews and three award nominations from the San Francisco Bay Area Theatre Critics Circle. She received a Writers’ Guild Award for her work on “As the World Turns”, and was also nominated for a Daytime Emmy Award. Her work has been read and performed internationally, including at the Cleveland Play House, the Actors Theatre of Louisville, and the Kennedy Center.  She is the General Counsel of the Authors Guild.

  • ERIC GOLDMAN

    has more than 20 years of experience as an entertainment attorney. While Eric specializes in theater law matters, including project financing, Eric also practices in the film, television, music, music publishing and new media fields. As an artist’s representative, Eric has worked on behalf of numerous award winners, including Tony-award winners Howell Binkley, Jason Robert Brown, Jerry Mitchell, Marc Shaiman and Scott Wittman and Academy Award winner Howard Shore. Eric also works as a producer’s representative, including serving as production counsel to the Tony Award winning producers of Def Poetry Jam and several Tony Award winning producers. In addition to Broadway, Off-Broadway and Independent projects, Eric has worked for producers and artists in connection with productions seen around the world, including London, Sydney, Tokyo and China. Eric also regularly counsels not-for-profit theaters such as Northlight Theatre in Chicago and Blank Theatre in Los Angeles. In other media, Eric has represented American Idol vocal coach Debra Byrd in the negotiation of merchandising and master class seminar agreements, and has negotiated web site development, maintenance and rights acquisition agreements for Broadwayworld.com, the LEGO Bionicle’s website and for Dick Morris’ VOTE.COM web site

  • SKIP KENNON

    was the overall Artistic Coordinator of the BMI Lehman Engel Musical Theatre Workshop and the teacher of the first year there for two decades. He wrote the music for the one-man musical Herringbone (Playwrights Horizons - starring David Rounds, Hartford Stage - starring Joel Grey, Edinburgh Festival, Philadelphia's Prince Music Theater, Chicago's St. Nicholas Theater, 2007 season opener at Williamstown Theater Festival - starring B.D. Wong), the music for Here's Our Girl (workshopped at the New York Shakespeare Festival/Public Theater), and the music and lyrics for the musical version of The Last Starfighter (Storm Theatre, Village Theatre Festival of New Musicals - summer 2006, New York Musical Theatre Festival readings - fall 2006), Blanco (Goodspeed Opera House at Chester, National Alliance for Musical Theatre, National Music Theater Network), Feathertop (WPA Theater, Pennsylvania Stage Co.), and Time and Again (Manhattan Theatre Club, San Diego's Old Globe Theater, Eugene O'Neill Center National Music Theater Conference). Kennon also wrote the music and lyrics for the one-act musical Plaisir d'Amour (book by Terrence McNally), which was produced at New York's Triangle Theater and seen in workshop at Circle Rep, as well as the music for the one-act musical Afternoon Tea (book & lyrics by Eduardo Machado), which was performed at Theater Row Theaters in 2005 by Ed Harris and Amy Madigan. He was a classical music critic at the Hollywood Reporter for five years.

  • JESSIE SHINBERG

    is a recent graduate of Brandeis University. She earned her degree in American Studies and Theater Arts and is a member of Phi Beta Kappa. She has served as a dramaturg on a number of Brandeis Theater Company productions and a member of the new play submissions reading committee at Company One Theatre in Boston. Currently, Jessie works for TADA! Youth Theater in both administrative and teaching positions. Her passions include new play development, theater activism, and improv comedy. 

  • RIC WANETIK

    President of Ricochet Group LLC, a strategic planning and communications advisory.  Known for his onboarding of leadership at major theaters here and in England, Ric is a frequent advisor to several regional theaters and is an active producer, investor and production supervisor.   He is the Senior Advisor for America to the Royal Shakespeare Company (RSC), currently represented on Broadway with Matilda the Musical.  He is also the President of RSC America, a US entity supporting the work of the Royal Shakespeare Company here and around the world.  An investor in over 35 Broadway and Off- Broadway productions, Ric was the lead producer and Tony nominated for Anna Deveare Smith’s Twilight Los Angeles: 1992. In 1999, he was the lead producer for Broadway’s Marlene, and was the sole producer of Off-Broadway’s Jolson and Company.  For eight years Ric was the supervising producer for the Victoria Secret’s Fashion Show on CBS-TV and has produced several TV Specials for cable, PBS and universities.  He is a frequent speaker and lecturer on theatre management and marketing. 

SHARE THIS: