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SERIES ONE: RECENT TRU PANELS
NEW! IS OFF-BROADWAY BROKEN...AND CAN WE FIX IT?
7/18/17 panel featuring Darren Cole, owner/manager of The Soho Playhouse; Erika Feldman, general manager of Theatre Row Theatres; Ed Gaynes, producer and owner St. Luke's Theatre, booking manager at the Actors Temple; Josh Goodman, producer (Tony award winning Pippin and Vanya and Sonia and Masha and Spike, also Rocky and Come From Away; upcoming: When Pigs Fly); Meredith Lucio, producer (Tony award winning Porgy and Bess, Rooms: a rock romance, The 39 Steps, Bedlam Theatre's St. Joan/Hamlet; upcoming: Absolutely Filthy).
ENTREPRENEURSHIP & THE ARTS: BALANCING CREATIVITY WITH COMMERCE
5/23/17 panel featuring David Garfinkle, producer (A Gentleman's Guide..., On the Town, The Realistic Joneses, Ghost, Spider-man) former entertainment attorney and adjunct professor with Duke University's 'Center for Innovation and Entrepreneurship'; Eric Krebs, producer (That Physics Show, Bill Maher: Victory Begins At Home, Neil Simon’s The Dinner Party, Ain't Nothin' But the Blues, Electra), professor at Baruch and theater manager (formerly the John Houseman and Douglas Fairbanks Theatres, currently The Playroom Theatre); Dorothy Marcic, self-producing writer (Respect, Sistas) and author of 15 books, including the best-selling Understanding Management; Bailie Slevin, Entertaining Finance, financial advisor to the arts.
WHERE DO I FIT IN: WHICH FESTIVAL, AND WHY?
3/21/17 panel featuring John Chatterton, founder of Midtown International Theatre Festival (MITF); Gene Fisch, New York New Works Theatre Festival; Abby Judd, general manager Broadway Bound Theatre Festival; Jay Michaels, marketing and public relations for Midtown International Theatre Festival, Planet Connections and Spotlight-On Festival; Brock H. Hill, producing artistic director Planet Connections Theatre Festivity; Michael Scott-Price, artistic director Dream Up Festival at Theatre for the New City; Liz Ulmer, general manager NY Musical Festival (NYMF).
THE IMPACT OF THE ELECTION ON THE ARTS: WHAT IS AT RISK? WHAT IS OUR RESPONSIBILITY?
2/20/17 panel in partnership with TRU's Young Patron & Artists Circle (YPAC), co-hosted by Christin Cato and Bob Ost. Panelists: Teresa Eyring, executive director of Theater Communications Group (TCG); Kareem Fahmy, Rising Circle Collective, director and playwright (world premiere Indian Head at Luna Stage); Ari Laura Kreith, Artistic Director of Theatre 167, a multicultural, multilingual ensemble; David Mendizábal, Producing Artistic Leader of The Movement Theatre Company, director (Tell Hector I Miss Him at the Atlantic Theater); Beto O'Byrne, Playwright and Co-Founder of Radical Evolution; Jacob Padron, Artistic Director of The Sol Project (Alligator at New Georges); Meropi Peponides, artistic director and co-founder of Radical Evolution, a multi-disciplinary performance company, producer at Soho Rep.
A YEAR IN THE LIFE OF A PRODUCER: TIMELINES AND STRATEGIES
1/25/17 panel featuring Broadway producer Sue Frost (Come from Away, Memphis, First Date, Vanities, Dr. Zhivago; former Associate Producer at Goodspeed Musicals); Jessica McCoy, not-for-profit consultant; Broadway producer Jeffrey Richards, producer (Fiddler on the Roof revival, China Doll, American Psycho The Musical, Wolf Hall Parts 1 & 2, The Heidi Chronicles, You Can’t Take It With You, Glengarry Glen Ross, Edward Albee’s Who’s Afraid of Virginia Woolf, Gore Vidal’s The Best Man, The Gershwins’ Porgy and Bess); and Donna Trinkoff, Artistic Producer of Amas Musical Theatre (The Red Eye of Love, The Other Josh Cohen, Triassic Parq!, Wanda’s World, Shout! The Mod Musical, Lone Star Love).
WHY SOLO SHOWS? UNDERSTANDING THE APPEAL, MINING THE MARKET
Panelists: Kayhan Irani, Emmy-award winning writer, producer, and a Theater of the Oppressed trainer; Peter Michael Marino, co-producer/creator of SOLOCOM which has premiered over 270 new solo comedies at The PIT; Michael Wolk, Gorgeous Entertainment and the All-in-One Festival; Prudence Wright Holmes, writer/performer (Bexley, OH!! at NY Theatre Workshop, plus touring solo shows about Willa Cather, Agatha Christie and Harper Lee). From the literally thousands of one-person shows developed by writers and writer-performers, a few make it into commercial production. What elevates a one-person show and gives it commercial potential? What are the essential elements that come together to turn solo performance into effective storytelling, the dramaturgical principles that can elevate this to art?
LIVE STREAMING AND DIGITAL CAPTURE: BRINGING THEATER INTO THE 21ST CENTURY
Panelists: Broadway producers Stewart F. Lane (Tony Award®-winning producer for A Gentleman's Guide to Love and Murder, War Horse, Jay Johnson: The Two & Only, Thoroughly Modern Millie, Will Rogers Follies and La Cage Aux Folles) and Bonnie Comley (Tony Award-winning producer for Jay Johnson: The Two and Only, War Horse and A Gentleman's Guide to Love and Murder), co-founders of BroadwayHD; Benjamin Birney, Vice President of Technology and Business Affairs for BroadwayHD; Kathryn Jones, CEO of VirtualArtsTV. Learn the distinctions between livestreaming and digital capture, and how to incorporate them into your development plans, as well as use them for marketing and exposure and to extend the life and value of your creative property.
FESTIVALS: HOW TO GET IN 'EM, WHAT TO GET OUT OF 'EM!
With panelists Elena K. Holy, producing artistic director FringeNYC; Jay Michaels, marketing director Midtown International Theatre Festival; Brock H. Hill, artistic producing director Planet Connections Theatre Festivity; Catherine Lamm, participant in Edinburgh Fringe; Lou Lopardi, executive director All Out Arts/Fresh Fruit Festival; Michael Scott-Price, festival director/curator of Theater for the New City's Dream Up Festival; and Liz Ulmer, general manager NY Musical Festival (NYMF).
MARKETING MAVERICKS: NEW THINKING, NEW METHODS, NEW IDEAS
With speakers Merrie Davis of Next Act 2 Follow; Toni Isreal, managing director of Walker Communications; Jay Michaels of Jay Michaels Arts & Entertainment; Lorenzo Thione, chief executive of The Social Edge.
THEATER AND COMMUNITY: EDUCATION, OUTREACH & SOCIAL JUSTICE
Brooke Boertzel, director of education at New York City Children's Theater; Brent Buell, producing artistic director of Doing Life Productions and Founding Producer of Rhymes Over Beats; Rod Christensen, Director of Education with TADA! Youth Theater; Van Dean, a commercial producer (Porgy and Bess, Cinderella) who has been working with the Sandy Hook/Newtown community since the tragic shooting to use the performing arts to raise funds and help empower the community; Annie Hamburger, executive producer of EnGarde Arts, an award-winning producer whose documentary theatre productions bring theatre to the uninitiated promoting community and conversation in New York and across the country; Katie McAllister, the Program Director of Inside Broadway, dedicated to introducing NYC school children to live theater; David Shookhoff, director of education Manhattan Theatre Club; and Emily Joy Weiner, co-artistic director of Houses on the Moon Theater Company.
SERIES TWO: PRODUCING BOOT CAMPS
A. RECOGNIZING COMMERCIAL POTENTIAL: IS THIS SHOW WORTH INVESTING IN?
Facilitated by attorney Eric S. Goldman, with a panel of commercial producers and investors offering their experience and observations. Panel includes William Franzblau, producer (TONY Nominated Best Play Say Goodnight Gracie, American Buffalo and Wonderland on Broadway, the tour of Little House on the Prairie the Musical; off-Broadway Sistas, Jewtopia, Evil Dead the Musical, Respect and Illuminate); Josh Goodman, producer (Rocky, Pippin, Vanya & Sonia & Masha & Spike); Jeremy Handelman, producer (On the Town, White's Lies, F#@king Up Everything); Cody Lassen, producer (Indecent, Significant Other, Deaf West Spring Awakening); James Simon (Hand to God, Something Rotten, Pippin).
It’s every producer’s job – to find investors for your production. Whether you are a self-producing artist looking for a lead producer to option your piece, a lead producer looking for co-producers and investors or a not-for-profit theater looking for enhancement funds, at some point you will have to sit down and make the case for why your show is the right investment.
B. 2017 WEEKEND INTENSIVE FOR SHOWCASE PRODUCING
1. Keynote speaker: 2-time Tony Award winning producer Jim Kierstead
2. "Clarifying Your Goals: Why Are You Producing This?” with Jim Kierstead and Bob Ost. Should your show be commercial or not-for-profit? In a festival or produced independently? How much should you be spending? How big a theater do you need? So much depends on what you hope to achieve.
3. "What You Need to Know Before Asking for Money" with attorney Eric Goldman. Investments, donations and gifts - do you know the difference? We'll look at commercial, not-for-profit and fiscal sponsorship models, and what you need to know about each when asking for money for your production.
4. "Legal Schmegal: Contracts, Options, Underlying Rights and More" with attorney Eric Goldman. Additional legalities to consider: Do you have the right to produce this show? How do you go about getting the option? How do you do this without encumbering your property unnecessarily? Do you need to set up a legal entity to produce a showcase?
5. "Project Management: Setting Timelines, Managing Teams, Defining Outcomes" with financial advisor and producer Bailie Slevin. It pays to get the order right. How far in advance do you book a space? Hire your creative staff? Start the marketing? Raise the money?
6. “Creative Fundraising (Please Don’t Put It on Your Credit Card!)” with Bailie Slevin. Crowdsourcing, different kinds of fundraisers and how to just get over it and ask for the money you need. We'll include belief systems and how they affect us, and understanding how money works.
MORE TO COME. STILL UPLOADING AUDIO FILES FROM THE WEEKEND.
C. 2016 WEEKEND INTENSIVE FOR SHOWCASE PRODUCING
1 - Keynote Tom Smedes - Why Producing Matters
2 & 3 - Bailie Slevin - Project Management and Setting Time Lines, Managing Teams and Defining Outcomes
4 - Watching Your Figures and Putting Together a Smart Budget with Tom Smedes
5 - How to Run and Efficient Audition, When Why and How to use a Casting Director, with Bob Kale of Bob Kale Casting
6 - Box Office and Ticketing Options with Emileena Pedigo
7 & 8 - Finding Your Audience, An Overview of Marketing and The Essentials of Successful PR with Jay Michaels
9 - Next Steps - What Happens After That Showcase, Moderated by Cheryl Wiesenfeld
11 - bonus track: Keynote Speaker Cheryl Wiesenfeld - "It's all about you"
B. ESSENTIALS OF SELF-PRODUCING
Essentials of Self-Producing Part 1 - Introduction to Self-Producing with TRU executive director Bob Ost, presentations by successful self-producing writers: “Why Are You Doing This?” with Nancy Holson (Emmy Award winning The News in Revue); “Wearing Many Different Hats” with Dorothy Marcic (long-running off-Broadway musical Sistas); plus a Nuts and Bolts overview of "What You Need to Make It Happen” with Bob Ost.
Essentials of Self-Producing Part 2 - “Marketing, Promotion and Self-Promotion” with Jay Michaels of Jay Michaels Arts & Entertainment; “Finding or Creating Opportunities” with writer/actress Karen Eterovich (international touring solo pieces about Aphra Behn and Jane Austen); and The Psychology of Self-producing, and a summary of what it takes to self-produce, with Bob Ost, Karen Eterovich and Jay Michaels.