Opportunities for early development of new works. A unique series of 4 different workshops designed to offer guidance and networking for writers, directors and everyone involved in making theater.

Writer-Producer Speed Date

“I actually enjoyed myself last night – all that hard work getting it wrong in the run-up to pitching was totally worth it!” ~ Martha Pichey (Ashes & Ink)

"Thank you for organizing such a great event last night. We had a wonderful time giving our pitch for SNOW WAY OUT to each of the producers and trailing producers at the speed date, and we came out of the event feeling very confident about our pitch and ourselves. It was a very informative evening, and I think we made some exciting connections, too. We hope we can attend another speed date in the future. This was a hit!"  ~ Becca Anderson and Julian Blackmore (SNOW WAY OUT)

“Enjoyed process. Felt uncomfortable at first, but got good reactions, which made it more fun. I appreciated and took Bailie’s advice, which was good. Got a chance to talk with/meet producers – some gave advice, many showed interest. Very positive experience.”  ~ Claude Solnik (Victoria Woodhull)

"I brought my play Adam Then to a TRU writer/director speed date with uncertain expectations.... Before the speed date even happened, the TRU team helped me craft a logline and pitch document that crystallized the play's plot and theme and, at the speed date, caught the attention of a producer. With his advocacy and support, my director and I organized a developmental staged reaching at The Drama League, for which TRU served as fiscal sponsor. I doubt we ever would have gotten this far without TRU!" ~ Terry Milner

"It was such a constructive, informative exercise, and we had a lot of fun. You, Mary Kate, and every person we met was kind, gracious, and generous with their time and feedback." ~Adam Blotner & Jenny Pinzari (Trump: A Tremendous American Musical)

"A couple of the producers even told me to call so-and-so at such-and-such 'and tell 'em I sent you.'  I wasn't expecting such positive results. Plus, the event got me to hone the way I talk and write about my show - the improvements will, I'm sure, help me as I contact other producers and theaters. A highly positive experience." ~Mike Takiff

"The experience was amazing (aside from when I threw up right before meeting the producers - just kidding). Nerve wracking but very helpful. Kind of like theater Shark Tank." ~Gwyn McAllister

Director-Writer Communications Lab

"I found it helpful and illuminating in a number of ways.... It made me aware of the necessity of a lengthy and focussed discussion before any commitments are made. To be honest I didn't know exactly what to expect. It was, therefore, useful both to talk through the issues raised by my own play with a director like Cate and to observe other couples going through the process of discovering whether they could work together or not. It was also moving to witness unexpected dramatic moments in the course of the day. And finally the presence of two such knowledgeable and successful Broadway producers as Ken [Waissman] and Margot [Astrachan] commenting freely on the proceedings was a huge bonus." ~ Dennis Porter, playwright

"What a fabulous Lab that was! No drama - everyone seemed to match up so perfectly! I know I did. I'm eager to continue my conversations with Anna [my writer] - we really hit it off and she's fantastic." ~Cate Cammarata, director

"You created a wonderful space for us writers. And, personally, it could have not gone better for me and the relationship I hope to have started with Mark [my Lab director]. He gets my words written on paper and that's fantastic." ~Jonathan Citron, writer

"Thank you for the incredible workshop this past Saturday.  It really turned out well and I met some incredibly talented people.  [The writer] and I have really hit it off and have decided to keep working together on her script." ~Kevin Lambert, director

How to Write a Musical That Works